Описание: A unique study which uses the collapse of Tsarist Russia and its consequences to argue that the events on the often-forgotten Eastern Front of WWI had a stronger impact on the outcome of the war than is usually accepted.
Автор: Hamilton Название: War Planning 1914 ISBN: 1107635128 ISBN-13(EAN): 9781107635128 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This tightly focused collection of essays by international experts in military history reassesses the 1914 war plans of Austria-Hungary, France, Germany, Great Britain, Italy, and Russia in a broad diplomatic, military, and political setting and explores their demise in the opening months of World War I. The end result is breathtaking in both scope and depth of analysis.
Автор: Salys Название: The Russian Cinema Reader, Vol One ISBN: 1618112120 ISBN-13(EAN): 9781618112125 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3881.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Intended to accompany undergraduate courses in the history of Russian cinema or Russian culture through film, this reader consists of excerpts from English language criticism and translations of excerpts of Russian-language criticism, as well as commissioned essays on thirty subtitled films widely taught in American and British courses on Russian film and culture.
Автор: Salys Название: The Russian Cinema Reader, Vol Two ISBN: 1618113216 ISBN-13(EAN): 9781618113214 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3881.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Intended to accompany undergraduate courses in the history of Russian cinema or Russian culture through film, this reader consists of excerpts from English language criticism and translations of excerpts of Russian-language criticism, as well as commissioned essays on thirty subtitled films widely taught in American and British courses on Russian film and culture.
Автор: Swain Название: The Origins of the Russian Civil War ISBN: 1138837458 ISBN-13(EAN): 9781138837454 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Concentrating on the turbulent months from February 1917 to November 1918, Geoffrey Swain explores the origins of the Civil War against the wider background of revolutionary Russia. He examines the aims of the anti-Bolshevik insurgents themselves; but he also shows how far the fear of civil war governed the action of the Provisional Government, and even the plans of the Bolsheviks. If the war itself can seem a fairly straightforward line-up of revolutionaries and counter-revolutionaries, this study reveals how complex were the motives of the people who precipitated it.
Описание: Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939-1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, 'Red funerals,' and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it's in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.
How did Russia develop a modern national identity, and what role did the military play? Sanborn examines tsarist and Soviet armies of the early twentieth century to show how military conscription helped to bind citizens and soldiers into a modern political community. The experience of total war, he shows, provided the means by which this multiethnic and multiclass community was constructed and tested.
Drafting the Russian Nation is the first archivally based study of the relationship between military conscription and nation-building in a European country. Stressing the importance of violence to national political consciousness, Sanborn shows how national identity was formed and maintained through the organized practice of violence. The cultural dimensions of the "military body" are explored as well, especially in relation to the nationalization of masculinity.
The process of nation-building set in motion by military reformers culminated in World War I, when ethnically diverse conscripts fought together in total war to preserve their national territory. In the ensuing Civil War, the army's effort was directed mainly toward killing the political opposition within the "nation." While these complex conflicts enabled the Bolsheviks to rise to power, the massive violence of war even more fundamentally constituted national political life.
Not all minorities were easily assimilated. The attempt to conscript natives of Central Asia for military service in 1916 proved disastrous, for example. Jews, also identified as non-nationals, were conscripted but suffered intense discrimination within the armed forces because they were deemed to be inherently unreliable and potentially disloyal.
Drafting the Russian Nation is rich with insights into the relation of war to national life. Students of war and society in the twentieth century will find much of interest in this provocative study.
Автор: Keeton Patricia Название: American War Cinema and Media Since Vietnam ISBN: 1137277882 ISBN-13(EAN): 9781137277886 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
Описание: Based on a wide range of primary sources, this book shows the way in which diplomacy, economics, finance and strategy became intertwined during the First World War. The author examines the diplomatic, economic, financial and military relations between Britain and Russia and argues that the key to understanding the alliance is the British determination to win the war and the role Russia played in achieving this aim. British strategy is shown to be more the result of her relations with her allies, especially during the first years of the war, than a quarrel between East and West. This revision of the accepted interpretation of the strategy leads to a reassessment of the views of Lloyd George, Kitchener and Grey. The author concludes that in 1917 the British interest in Russia remained as it was earlier in the war: the maintenance of a powerful ally on the eastern front.
Описание: The economic and cultural changes Cuba experienced following the collapse of the Soviet Union compelled Cuban filmmakers to rethink the revolutionary values and esthetics developed after the 1959 revolution. Long-forgotten genres re-emerged, established auteurs incorporated new aesthetic devices into their films and an influx of foreign capital led to the repackaging of revolutionary ideology into more visually attractive narratives.Films such as Alice in Wondertown (1991), Strawberry and Chocolate (1993) and Juan of the Dead (2011) stirred controversy, criticized revolutionary discourse and helped establish new industrial models that allowed post-Castro national cinema to find global audiences on an unprecedented scale. This exploration of transformations in the Cuban film industry offers a detailed analysis of key post-Cold War Cuban films. Recurrent esthetic and sociopolitical tropes are examined to discover how Cuban cinema reflects the turbulent changes the island has experienced.
A prince in one of Russia's most exalted noble families, Grigorii N. Trubetskoi was a unique and contradictory figure during World War I. A lifelong civil servant and publicist, he began his diplomatic career in Constantinople, where he served as first secretary of the embassy there for several years. He became one of the leaders of an important political orientation among the liberals that began to express opposition to the tsar, not only on questions of political freedom and domestic political reform, but also by criticizing the tsar's foreign policy on nationalistic grounds. Trubetskoi possessed significant influence over Russian foreign policy and was instrumental in pushing the regime toward an aggressive annexationist stand in the Balkans. When the Russian ambassador to Serbia died suddenly in June of 1914, Trubetskoi was appointed as his replacement—situating him at the center of Russian diplomacy during the decisive period of Russia's entry into the war. His account of this period serves as an important reference for the study of the war's outbreak. Trubetskoi also discusses how he drafted the proclamation on Poland and gives a revealing account of its origins.
A valuable source on the major historical problem of the entry of Turkey into the war, the narrative provides interesting details about agreements with Britain and France. Translated by Trubetskoi's granddaughter, Elizabeth Saika-Voivod, and featuring Trubetskoi's original photographs, this fascinating memoir provides an inside look at Russian foreign policies during crucial points of the war. It will appeal to scholars, students, and general readers interested in World War I and Russian history.
Автор: McMeekin Sean Название: Russian Origins of the First World War ISBN: 0674062108 ISBN-13(EAN): 9780674062108 Издательство: Wiley Рейтинг: Цена: 3635.00 р. Наличие на складе: Поставка под заказ.
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