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Women Drinking Out in Britain Since the Early Twentieth Cent, Gutzke David W.


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Автор: Gutzke David W.
Название:  Women Drinking Out in Britain Since the Early Twentieth Cent
ISBN: 9780719052644
Издательство: NBN International
Классификация:



ISBN-10: 0719052645
Обложка/Формат: Hardback
Страницы: 304
Вес: 0.63 кг.
Дата издания: 01.11.2013
Серия: Studies in popular culture
Язык: English
Иллюстрации: Tables, black & white|illustrations, black & white|graphs
Размер: 241 x 156 x 29
Читательская аудитория: Professional & vocational
Рейтинг:
Поставляется из: Англии
Описание: Offers a way of conceptualising how women`s drinking habits changed over more than a century in Britain. -- .


The Roadhouse Comes to Britain: Drinking, Driving and Dancing, 1925-1955

Автор: David W. Gutzke, Michael John Law
Название: The Roadhouse Comes to Britain: Drinking, Driving and Dancing, 1925-1955
ISBN: 1474294502 ISBN-13(EAN): 9781474294508
Издательство: Bloomsbury Academic
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Цена: 20592.00 р.
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Описание: This is the first book to examine the cultural phenomenon of the roadhouse in mid 20th-century Britain and its impact on British leisure. The term ‘roadhouse’ was used in varied ways in the 1930s, from small roadside tearooms to enormous establishments on the outskirts of major cities. These roadhouses were an important component in the transformation of leisure in the 1930s and beyond, reflecting the increased levels of social and physical mobility brought about by new technologies, suburbanisation and the influence of American culture. Roadhouses attracted wealthy Londoners excited by the prospect of a high-speed run into the countryside. During the day, they offered family activities such as tennis, archery, horse riding and swimming. At night, they provided all the fun of the West End with dancing, classy restaurants, cabaret, swimsuit parades and dance demonstrations, subverting the licensing laws to provide all-night drinking. Rumours abounded of prostitution and transgressive behaviour in the car park. Roadhouses formed part of an imaginary America in suburban Britain that was promoted by the popularity of American movies, music and fiction, providing a pastiche of the American country club. While much work has been done on the Soho nightclubs of the 1930s, the roadhouse has been largely ignored. Michael John Law and David Gutzke fill this gap in the literature by providing a comprehensive analysis of the roadhouse’s cultural meaning, demonstrating how its Americanisation was interpreted for British consumers. This original and engaging study will be fascinating reading for all scholars of 20th-century British cultural history.

Roadhouse comes to britain

Автор: Gutzke, David W. (missouri State University, Usa) Law, Michael John (university Of Westminster, Uk)
Название: Roadhouse comes to britain
ISBN: 1350090042 ISBN-13(EAN): 9781350090040
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This is the first book to examine the cultural phenomenon of the roadhouse in mid 20th-century Britain and its impact on British leisure. The term ‘roadhouse’ was used in varied ways in the 1930s, from small roadside tearooms to enormous establishments on the outskirts of major cities. These roadhouses were an important component in the transformation of leisure in the 1930s and beyond, reflecting the increased levels of social and physical mobility brought about by new technologies, suburbanisation and the influence of American culture. Roadhouses attracted wealthy Londoners excited by the prospect of a high-speed run into the countryside. During the day, they offered family activities such as tennis, archery, horse riding and swimming. At night, they provided all the fun of the West End with dancing, classy restaurants, cabaret, swimsuit parades and dance demonstrations, subverting the licensing laws to provide all-night drinking. Rumours abounded of prostitution and transgressive behaviour in the car park. Roadhouses formed part of an imaginary America in suburban Britain that was promoted by the popularity of American movies, music and fiction, providing a pastiche of the American country club. While much work has been done on the Soho nightclubs of the 1930s, the roadhouse has been largely ignored. Michael John Law and David Gutzke fill this gap in the literature by providing a comprehensive analysis of the roadhouse’s cultural meaning, demonstrating how its Americanisation was interpreted for British consumers. This original and engaging study will be fascinating reading for all scholars of 20th-century British cultural history.


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