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The Cinema of Agn?s Varda: Resistance and Eclecticism, Benezet Delphine


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Цена: 3485.00р.
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Автор: Benezet Delphine
Название:  The Cinema of Agn?s Varda: Resistance and Eclecticism
Перевод названия: Дельфи Бенцет: Кинематограф Агнес Варды. Сопротивление и эклектика
ISBN: 9780231169752
Издательство: Wiley
Классификация:
ISBN-10: 0231169752
Обложка/Формат: Paperback
Страницы: 208
Вес: 0.29 кг.
Дата издания: 20.06.2014
Серия: Directors` cuts
Язык: English
Иллюстрации: Illustrations
Размер: 234 x 164 x 10
Читательская аудитория: Professional & vocational
Ключевые слова: Film, TV & radio,Dance & other performing arts
Подзаголовок: Resistance and eclecticism
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: Agns Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980-81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this directors multifaceted rveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.


The Cinema of Agn?s Varda: Resistance and Eclecticism

Автор: Benezet Delphine
Название: The Cinema of Agn?s Varda: Resistance and Eclecticism
ISBN: 0231169744 ISBN-13(EAN): 9780231169745
Издательство: Wiley
Рейтинг:
Цена: 8870.00 р. 12672.00 -30%
Наличие на складе: Есть (1 шт.)
Описание: Agn's Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980-81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted r'veries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.


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