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Gangsters and G-Men on Screen: Crime Cinema Then and Now, Phillips Gene D.


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Автор: Phillips Gene D.
Название:  Gangsters and G-Men on Screen: Crime Cinema Then and Now
ISBN: 9781442230750
Издательство: Rowman & Littlefield Publishers
Классификация:
ISBN-10: 1442230754
Обложка/Формат: Hardback
Страницы: 192
Вес: 0.46 кг.
Дата издания: 16.09.2014
Язык: English
Иллюстрации: 27 black & white halftones
Размер: 159 x 232 x 19
Читательская аудитория: General (us: trade)
Подзаголовок: Crime cinema then and now
Рейтинг:
Поставляется из: Англии
Описание: In this book, noted film and literature scholar Gene D. Phillips looks at the crime film genre. In addition to the usual suspects like Little Caesar, and The Godfather Part II, which he examines with a fresh perspective, Phillips also calls attention to some of the less heralded but no less worthy films and filmmakers that represent the genre.


Stanley kubrick

Автор: Phillips, Gene D.
Название: Stanley kubrick
ISBN: 1578062977 ISBN-13(EAN): 9781578062973
Издательство: Mare Nostrum (Eurospan)
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Цена: 4744.00 р.
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Описание:

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered.

Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective.

Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange. "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. "

Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story.


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