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Red Kant: Aesthetics, Marxism and the Third Critique, Michael Wayne


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Цена: 9405р.
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Наличие: Поставка под заказ.  Есть в наличии на складе поставщика.
Склад Англия: 891 шт.  Склад Америка: 67 шт.  
При оформлении заказа до: 13 дек 2019
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Автор: Michael Wayne
Название:  Red Kant: Aesthetics, Marxism and the Third Critique   (Майкл Вайн: Красный Кант. Эстетика, марксизм и третья критика)
Издательство: Bloomsbury Academic
Классификация:
ISBN: 1472511344
ISBN-13(EAN): 9781472511348
ISBN: 1-472-51134-4
ISBN-13(EAN): 978-1-472-51134-8
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.521 кг.
Дата издания: 25.09.2014
Серия: Philosophy
Язык: ENG
Иллюстрации: Black & white illustrations
Размер: 234 x 156 x 14
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Philosophy: aesthetics,Social & political philosophy, PHILOSOPHY / Aesthetics,PHILOSOPHY / Political
Основная тема: Philosophy: aesthetics,PHILOSOPHY / Aesthetics,PHILOSOPHY / Political,Social & political philosophy
Рейтинг:
Поставляется из: Англии
Описание: Is Kant really the ‘bourgeois’ philosopher that his advocates and opponents take him to be? In this bold and original re-thinking of Kant, Michael Wayne argues that with his aesthetic turn in the Third Critique, Kant broke significantly from the problematic philosophical structure of the Critique of Pure Reason. Through his philosophy of the aesthetic Kant begins to circumnavigate the dualities in his thought. In so doing he shows us today how the aesthetic is a powerful means for imagining our way past the apparent universality of contemporary capitalism. Here is an unfamiliar Kant: his concepts of beauty and the sublime are reinterpreted as attempts to socialise the aesthetic while Wayne reconstructs the usually hidden genealogy between Kant and important Marxist concepts such as totality, dialectics, mediation and even production. In materialising Kant’s philosophy, this book simultaneously offers a Marxist defence of creativity and imagination grounded in our power to think metaphorically and in Kant’s concept of reflective judgment. Wayne also critiques aspects of Marxist cultural theory that have not accorded the aesthetic the relative autonomy and specificity which it is due. Discussing such thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukacs, Ranciere and others, Red Kant: Aesthetics, Marxism and the Third Critique presents a new reading of Kants Third Critique that challenges Marxist and mainstream assessments of Kant alike.
Дополнительное описание: Introduction 1. Disinterring Kant 2. Kant’s First Critique and The Problem of Reification 3. The Aesthetic, The Beautiful and Praxis 4. The Aesthetic and Class Interests 5. The Sublime in Kant’s Philosophical Architecture 6. Labour, The Aesthetic A




Red Kant:  Aesthetics, Marxism and the Third Critique

Автор: Michael Wayne
Название: Red Kant: Aesthetics, Marxism and the Third Critique
ISBN: 1474279295 ISBN-13(EAN): 9781474279291
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 3343 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Is Kant really the ‘bourgeois’ philosopher that his advocates and opponents take him to be? In this bold and original re-thinking of Kant, Michael Wayne argues that with his aesthetic turn in the Third Critique, Kant broke significantly from the problematic philosophical structure of the Critique of Pure Reason. Through his philosophy of the aesthetic Kant begins to circumnavigate the dualities in his thought. In so doing he shows us today how the aesthetic is a powerful means for imagining our way past the apparent universality of contemporary capitalism. Here is an unfamiliar Kant: his concepts of beauty and the sublime are reinterpreted as attempts to socialise the aesthetic while Wayne reconstructs the usually hidden genealogy between Kant and important Marxist concepts such as totality, dialectics, mediation and even production. In materialising Kant’s philosophy, this book simultaneously offers a Marxist defence of creativity and imagination grounded in our power to think metaphorically and in Kant’s concept of reflective judgment. Wayne also critiques aspects of Marxist cultural theory that have not accorded the aesthetic the relative autonomy and specificity which it is due. Discussing such thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukacs, Ranciere and others, Red Kant: Aesthetics, Marxism and the Third Critique presents a new reading of Kant's Third Critique that challenges Marxist and mainstream assessments of Kant alike.

Kant and the Subject of Critique

Автор: Goldman Avery
Название: Kant and the Subject of Critique
ISBN: 0253223660 ISBN-13(EAN): 9780253223661
Издательство: Marston Book Services
Рейтинг:
Цена: 3217 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Immanuel Kant is strict about the limits of self-knowledge: our inner sense gives us only appearances, never the reality, of ourselves. Kant may seem to begin his inquiries with an uncritical conception of cognitive limits, but in Kant and the Subject of Critique, Avery Goldman argues that, even for Kant, a reflective act must take place before any judgment occurs. Building on Kant’s metaphysics, which uses the soul, the world, and God as regulative principles, Goldman demonstrates how Kant can open doors to reflection, analysis, language, sensibility, and understanding. By establishing a regulative self, Goldman offers a way to bring unity to the subject through Kant’s seemingly circular reasoning, allowing for critique and, ultimately, knowledge.

Immanuel Kant: The Very Idea of a Critique of Pure Reason

Автор: McQuillan Colin
Название: Immanuel Kant: The Very Idea of a Critique of Pure Reason
ISBN: 0810132486 ISBN-13(EAN): 9780810132481
Издательство: Eurospan
Рейтинг:
Цена: 4563 р.
Наличие на складе: Нет в наличии.

Описание: Immanuel Kant: The Very Idea of a Critique of Pure Reason is a study of the background, development, exposition, and justification of Kant’s Critique of Pure Reason. Instead of examining Kant’s arguments for the transcendental ideality of space and time, his deduction of the pure concepts of the understanding, or his account of the dialectic of human reason, J. Colin McQuillan focuses on Kant’s conception of critique. By surveying the different ways the concept of critique was used during theeighteenth century, the relationship between Kant’s critique and his pre-critical experiments with different approaches to metaphysics, the varying definitions of a critique of pure reason Kant offers in the prefaces and introductions to the first Critique,and the way Kant responds to objections, McQuillan is able to highlight an aspect of Kant’s critical philosophy that is too often overlooked—the reason that philosophy is critical.


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