Ballet Music: A Handbook, Naughtin Matthew

Автор: Farrugia-Kriel, Kathrina; Nunes Jensen, Jill
Название: The Oxford Handbook of Contemporary Ballet
ISBN: 0190871490 ISBN-13(EAN): 9780190871499
Издательство: Oxford Academ
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Описание: The Oxford Handbook of Contemporary Ballet looks at the many ways ballet functions as a global practice in the 21st century, providing new perspectives on ballet`s past, present, and future.

Автор: Meisner Nadine
Название: Marius Petipa: The Emperor`s Ballet Master
ISBN: 0190659297 ISBN-13(EAN): 9780190659295
Издательство: Oxford Academ
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Описание: This cultural biography of the nineteenth-century ballet master Marius Petipa - creator of The Sleeping Beauty and Swan Lake - tells the full story of his life and work in the remarkable context in which he lived.

Автор: Redfern, Sophie
Название: Bernstein and robbins - the early ballets
ISBN: 164825005X ISBN-13(EAN): 9781648250057
Издательство: Boydell & Brewer
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Описание: 2022 CHOICE Outstanding Academic Title Winner. The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.

Автор: Beaumont, Cyril W.
Название: Ballet called giselle
ISBN: 1852731524 ISBN-13(EAN): 9781852731526
Издательство: Неизвестно
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Описание: New Edition of the classic book, first published in 1944. It remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.

Автор: Naughtin, Matthew
Название: Ballet music a handbook
ISBN: 1538114585 ISBN-13(EAN): 9781538114582
Издательство: Rowman & Littlefield Publishers
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Описание: This book provides a practical guide for the professional musician who works with ballet companies. It addresses the daily routine of the modern ballet company, outlines the various roles, and examines the complete process of putting a dance performance on stage. Includes a listing of classic ballets in standard repertoire.

Автор: Caddy
Название: The Ballets Russes and Beyond
ISBN: 1316623637 ISBN-13(EAN): 9781316623633
Издательство: Cambridge Academ
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Описание: An important and provocative contribution to the burgeoning literature on the Ballets Russes, this book examines the relation between music, dance and the cultural politics of belle-epoque Paris. Davinia Caddy presents fresh perspectives on the broadly acknowledged innovations of the Ballets Russes, opening up important new areas for debate.

Автор: Gutsche-miller, Sarah
Название: Parisian music-hall ballet, 1871-1913
ISBN: 1580464424 ISBN-13(EAN): 9781580464420
Издательство: Wiley
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Описание: This pioneering study of ballets staged in Parisian music halls brings to light a vibrant dance culture central to the renewal of French choreography at the fin de siecle.

Автор: Searcy, Anne (assistant Professor Of Music History, Assistant Professor Of Music History, University Of Washington)
Название: Ballet in the cold war
ISBN: 0190945109 ISBN-13(EAN): 9780190945107
Издательство: Oxford Academ
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Описание: In 1959, the Bolshoi Ballet arrived in New York for its first ever performances in the United States. The tour was part of the Soviet-American cultural exchange, arranged by the governments of the US and USSR as part of their Cold War strategies. This book explores the first tours of the exchange, by the Bolshoi in 1959 and 1962, by American Ballet Theatre in 1960, and by New York City Ballet in 1962.

The tours opened up space for genuine appreciation of foreign ballet. American fans lined up overnight to buy tickets to the Bolshoi, and Soviet audiences packed massive theaters to see American companies. Political leaders, including Khrushchev and Kennedy, met with the dancers.

The audience reaction, screaming and crying, was overwhelming. But the tours also began a series of deep misunderstandings. American and Soviet audiences did not view ballet in the same way.

Each group experienced the other's ballet through the lens of their own aesthetics. Americans loved Soviet dancers but believed that Soviet ballets were old-fashioned and vulgar. Soviet audiences and critics likewise appreciated American technique and innovation but saw American choreography as empty and dry.

Drawing on both Russian- and English-language archival sources, this book demonstrates that the separation between Soviet and American ballet lies less in how the ballets look and sound, and more in the ways that Soviet and American viewers were trained to see and hear. It suggests new ways to understand both Cold War cultural diplomacy and twentieth-century ballet.