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Beyond the Screen: Emerging Cinema and Engaging Audiences, Sarah Atkinson


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Автор: Sarah Atkinson
Название:  Beyond the Screen: Emerging Cinema and Engaging Audiences
ISBN: 9781623566371
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1623566371
Обложка/Формат: Hardback
Страницы: 312
Вес: 0.59 кг.
Дата издания: 05.06.2014
Серия: Sociology
Язык: English
Иллюстрации: 44 bw illus
Размер: 161 x 229 x 25
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Media studies, SOCIAL SCIENCE / Media Studies
Основная тема: Media studies,SOCIAL SCIENCE / Media Studies
Подзаголовок: Emerging cinema and engaging audiences
Рейтинг:
Поставляется из: Англии
Описание: Runner-up for the British Association of Film, Television and Screen Studies Best Book Prize 2015 Beyond the Screen presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. The book includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. Through analyses of narrative, text, process, apparatus and audience this book traces the metamorphosis of an emerging cinema and maps the new spaces of spectatorship which are currently challenging what it means to be cinematic in a digitally networked era.
Дополнительное описание: Acknowledgements Preface List of Illustrations Chapter 1: Introduction Chapter 2: Extending Cinema Chapter 3: Mobile Cinema Chapter 4: Socially Layered Cinema Chapter 5: The Ethics of Emerging Cinema Chapter 6: The Business of Emerging Cinema Cha



Making the News Popular: Mobilizing U.S. News Audiences

Автор: Nadler Anthony
Название: Making the News Popular: Mobilizing U.S. News Audiences
ISBN: 0252081633 ISBN-13(EAN): 9780252081637
Издательство: Mare Nostrum (Eurospan)
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Цена: 3762.00 р.
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Описание: The professional judgment of gatekeepers defined the American news agenda for decades. Making the News Popular examines how subsequent events brought on a post-professional period that opened the door for imagining that consumer preferences should drive news production--and unleashed both crisis and opportunity on journalistic institutions.

Anthony Nadler charts a paradigm shift, from market research's reach into the editorial suite in the 1970s through contemporary experiments in collaborative filtering and social news sites like Reddit and Digg. As Nadler shows, the transition was and is a rocky one. It also goes back much further than many experts suppose. Idealized visions of demand-driven news face obstacles with each iteration. Furthermore, the post-professional philosophy fails to recognize how organizations mobilize interest in news and public life. Nadler argues that this civic function of news organizations has been neglected in debates on the future of journalism. Only with a critical grasp of news outlets' role in stirring broad interest in democratic life, he says, might journalism's digital crisis push us toward building a more robust and democratic news media.

Wide-ranging and original, Making the News Popular offers a critical examination of an important, and still evolving, media phenomenon.

Media U: How the Need to Win Audiences Has Shaped Higher Education

Автор: Mark Garrett Cooper and John Marx
Название: Media U: How the Need to Win Audiences Has Shaped Higher Education
ISBN: 0231186371 ISBN-13(EAN): 9780231186377
Издательство: Wiley
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Цена: 4435.00 р.
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Описание: Media U presents a provocative rethinking of the development of American higher education centered on the insight that universities are media institutions. Mark Garrett Cooper and John Marx argue that the fundamental goal of the American research university has been to cultivate audiences and convince them of its value.

Cinema audiences and modernity

Название: Cinema audiences and modernity
ISBN: 0415672775 ISBN-13(EAN): 9780415672771
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: This book confronts theoretical models on cinema as both a product and a catalyst of European modernity with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition.


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