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Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present, Towlson Jon


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Автор: Towlson Jon
Название:  Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present
ISBN: 9780786474691
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 0786474696
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.48 кг.
Дата издания: 30.03.2014
Серия: Arts
Язык: English
Иллюстрации: 62 photographs, notes, bibliography, index
Размер: 252 x 175 x 15
Читательская аудитория: General (us: trade)
Ключевые слова: Films, cinema
Подзаголовок: Countercultural messages of films from frankenstein to the present
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Поставляется из: Англии
Описание:

Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered subversive.




The Subversive Zombie: Social Protest and Gender in Undead Cinema and Television

Автор: Aiossa Elizabeth
Название: The Subversive Zombie: Social Protest and Gender in Undead Cinema and Television
ISBN: 1476666733 ISBN-13(EAN): 9781476666730
Издательство: Mare Nostrum (Eurospan)
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Цена: 6653.00 р.
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Описание: Zombies have changed dramatically in the new millennium. They are no longer the comical, shuffling, mindless monsters of George Romero’s Night of the Living Dead (1968). In works such as 28 Days Later… (2002) and World War Z (2013) they are fast, rabid, and absolutely terrifying in large hordes. In Warm Bodies (2013) and In the Flesh (2013-2015), they are thoughtful, sensitive, and capable of ethics and empathy. Audiences of this modern cinematic monster have changed, too, from teenaged camp and gore enthusiasts to broader and more diverse populations around the globe.Zombie stories are continually shifting and evolving to meet fan demands, to challenge genre expectations, and to raise critical questions: What happens when society collapses? What does it mean to be human? What makes a monster? Who survives the zombie (post)apocalypse, and why? What can we learn about gender, genre, and historical context, from the protagonists of zombie films and television? Explore these critical inquires and more, through the close examination of classic and current screen narratives and their often radical representations of the living and the undead, with the support of leading theories from film, genre, and zombie studies.


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