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Beowulf and the Grendel-Kin: Politics and Poetry in Eleventh-Century England,
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Название:
Beowulf and the Grendel-Kin: Politics and Poetry in Eleventh-Century England
ISBN:
9781938228711
Издательство:
Mare Nostrum (Eurospan)
Классификация:
Литературоведение: Классическое, раннего, высокого и позднего средневековья до 1500 г.
Литературоведение: поэзия и поэты
Литературные спутники (справочники), книжные обзоры и руководства
ISBN-10: 1938228715
Обложка/Формат: Paperback
Страницы: 360
Вес: 0.51 кг.
Дата издания: 30.10.2014
Серия: Medieval european studies series
Язык: English
Иллюстрации: Colour illustrations
Размер: 226 x 150 x 23
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: classical, early & medieval,Literary studies: poetry & poets,Literary companions, book reviews & guides
Подзаголовок: Politics and poetry in eleventh-century england
Рейтинг:
Поставляется из: Англии
Описание: In Beowulf and the Grendel-kin: Politics and Poetry in Eleventh-Century England, Helen Damico presents the first concentrated discussion of the initiatory two-thirds of Beowulfs 3,182 lines in the context of the turbulent years that composed the first half of the eleventh century in Anglo-Danish England Damico offers incisive arguments that major historical events and personages pertaining the the reigns of Cnut and his sons recorded in the Anglo-Saxon Chronicle, the Encomium Emmae Reginae, and major continental and Scandinavian historical texts, hold striking parallels with events and personages found in at least eight narrative units, as recorded by Scribe A in BL, Cotton Vitellius A.xv, that make up the poems quasi sixth-century narrative concerning the fall of the legendary Scyldings. Given the poets compositional skill-widely relational and eclectic at its core-and his affinity with the practicing skalds, these strings of parallelisms could scarcely have been coincidental. Rather, Damico argues that examined within the context of other eleventh-century texts that either bemoaned, darkly satirized, or obversely celebrated the rise of the Anglo-Danish realm, the Beowulfian units may bring forth a deeper understanding of the complexity of the poets compositional process. Damico illustrates the poets use of the tools of his trade-compression, substitution, skillful encoding of character-to reinterpret and transform grave sociopolitical facts of history, to produce what may be characterized as a type of historical allegory whereby two parallel narratives, one literal and another veiled, are simultaneously operative. Beowulf and the Grendel-kin lays out the story of the poem, not as a monster narrative nor a folklorish nor solely a legendary tale, but rather as a poem of its time, a historical allegory coping with and reconfiguring sociopolitical events of the first half of eleventh-century Anglo-Saxon England.
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