Tata Dada: The Real Life and Celestial Adventures of Tristan Tzara, Hentea Marius
Автор: Hopkins Название: Dada and Surrealism ISBN: 0192802542 ISBN-13(EAN): 9780192802545 Издательство: Oxford Academ Рейтинг: Цена: от 491.00 р. Наличие на складе: Есть
Описание: Explores the range of media employed by both Dada and Surrealism, whilst at the same time establishing the aesthetic differences between the movements. This book also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists` return to the fetishized/eroticized body.
Название: Dada Berlin ISBN: 3150098572 ISBN-13(EAN): 9783150098578 Издательство: Reclam Цена: 545.00 р. Наличие на складе: Нет в наличии.
Автор: Kamenish Название: Mamas Of Dada ISBN: 1611174686 ISBN-13(EAN): 9781611174687 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5642.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Mamas of Dada focuses on the lives and works of six representative female supporters of the Dada movement: Emmy Hennings, Gabrielle Buffet, Germaine Everling, Céline Arnauld, Juliette Roche, and Hannah Höch. Paula K. Kamenish selected these women for their avant-garde pursuits in the chief centers of Dada’s rebellious activity and, more important, because they left behind a written record of their involvement with the movement, which was short lived - from 1916 to 1924 - but widespread geographically.The rebellious spirit of the Dada period proved portable and adaptable, and the movement led to later forms of surrealism at the same time that it borrowed from Expressionism, Constructivism, Futurism, and Cubism. Its influence was felt on sculpture, painting, dance, music, textile art, film, decoupage, photomontage, mask making, and poetry.Some female Dadaists were active participants - appearing in literary journals, on stage, or in galleries - while others were observant and recording witnesses, but each played a role in supporting the movement and its more prominent members. Female Dadaists motivated the hesitant Hugo Ball, tempered the mechanical Francis Picabia, and nurtured the inventive but temperamental Raoul Hausmann. Some women inspired or gave a home to a wandering Tristan Tzara, while another provided a satiric chastisement of Dadaists in New York, Barcelona, and Paris. Each woman helps us chronicle and better understand Dada’s European (and sometimes American) manifestations.Unlike their Futurist and Surrealist sisters, whose contributions were grudgingly accepted by male artists and writers, female Dadaists were able to join more readily in the movement’s unified attack on social norms. And, because of their individual talents and insights, they did so in ways that were often quite different from methods adopted by their male counterparts.
Автор: David Hopkins Название: A Companion to Dada and Surrealism ISBN: 1118476182 ISBN-13(EAN): 9781118476185 Издательство: Wiley Рейтинг: Цена: 26762.00 р. Наличие на складе: Поставка под заказ.
Описание: This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender.
Описание: A new theory of the readymade via a new reading of Picabia and a new writing of Dada.
Автор: Maria Stavrinaki Название: Dada Presentism: An Essay on Art and History ISBN: 0804794243 ISBN-13(EAN): 9780804794244 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, Fran?ois Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
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