Hollywood Vault: Film Libraries Before Home Video, Hoyt Eric

Автор: Smith Jeff
Название: Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds
ISBN: 0520280679 ISBN-13(EAN): 9780520280670
Издательство: Wiley
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Цена: 12672.00 р.
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Описание: Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. This title examines how key musicians and their contemporaries made sense of musical and physical abilities.

Автор: Hoyt Eric
Название: Hollywood Vault: Film Libraries Before Home Video
ISBN: 0520282647 ISBN-13(EAN): 9780520282643
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: Tells the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. This book discusses film libraries as an important and often underestimated part of Hollywood history. It presents a trajectory that incorporates cultural, legal, and industrial history.

Автор: Symmons
Название: The New Hollywood Historical Film
ISBN: 1137529296 ISBN-13(EAN): 9781137529299
Издательство: Springer
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Цена: 11179.00 р.
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Описание: The New Hollywood of the late 1960s and 1970s is among the mostinfluential periods in the history of film. It was a time of unprecedentedcreative risks, as the myths and moral certainties of 'old Hollywood' collidedwith the subversive and questioning stance of a new wave of young and talentedpractitioners. As the fault lines of the Vietnam War, Civil Rights Movement andthe Watergate scandal shook America to its core; films expressed a profoundsense of uncertainty, change and possibility.Longone of Hollywood's most popular genres, a new wave of historical films thrivedin the era of New Hollywood. The New Hollywood Historical Film: 1967-78explores new directions and perspectives considering iconic films; American Graffiti (1973), The Dirty Dozen (1967), Grease (1978) and The Way We Were (1973), as well as lesser known gems, such as Sounder (1973) and The Day of the Locust (1975). Based on original research, TomSymmons analyses their production and reception, examining how the pastdepicted on film was profoundly shaped by the controversies and concerns of thepresent.