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The Maximalist Novel: From Thomas Pynchon`s Gravity`s Rainbow to Roberto Bolano`s 2666, Stefano Ercolino


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Автор: Stefano Ercolino
Название:  The Maximalist Novel: From Thomas Pynchon`s Gravity`s Rainbow to Roberto Bolano`s 2666
ISBN: 9781623562915
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1623562910
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.45 кг.
Дата издания: 14.08.2014
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: 3 halftone illus
Размер: 231 x 158 x 20
Читательская аудитория: College/higher education
Ключевые слова: Literary studies: general,Literary studies: fiction, novelists & prose writers, LITERARY CRITICISM / General,LITERARY CRITICISM / American / General
Основная тема: Literary studies: fiction, novelists & prose writers,LITERARY CRITICISM / General,LITERARY CRITICISM / American / General,Literary studies: general
Подзаголовок: From thomas pynchon`s gravity`s rainbow to roberto bolano`s 2666
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Поставляется из: Англии
Описание:

The Maximalist Novel sets out to define a new genre of contemporary fiction that developed in the United States from the early 1970s, and then gained popularity in Europe in the early twenty-first century.

The maximalist novel has a very strong symbolic and morphological identity. Ercolino sets out ten particular elements which define and structure it as a complex literary form: length, an encyclopedic mode, dissonant chorality, diegetic exuberance, completeness, narrratorial omniscience, paranoid imagination, inter-semiocity, ethical commitment, and hybrid realism. These ten characteristics are common to all of the seven works that centre his discussion: Gravitys Rainbow by Thomas Pynchon, Infinite Jest by David Foster Wallace, Underworld by Don DeLillo, White Teeth by Zadie Smith, The Corrections by Jonathan Franzen, 2666 by Roberto Bola o, and 2005 dopo Cristo by the Babette Factory.

Though the ten features are not all present in the same way or form in every single text, they are all decisive in defining the genre of the maximalist novel, insofar as they are systematically co-present. Taken singularly, they can be easily found both in modernist and postmodern novels, which are not maximalist. Nevertheless, it is precisely their co-presence, as well as their reciprocal articulation, which make them fundamental in demarcating the maximalist novel as a genre.


Дополнительное описание: List of Figures Acknowledgements The Maximalist Novel Introduction. Maximalist Paradigms 1. “Art of Excess”: The Systems Novel 2. “A Paradoxical Form”: The Mega-Novel 3. “In the Eyes of the World”: The Modern Epic Part One Chapte



Gravity`s Rainbow, Domination, and Freedom

Автор: Herman Luc, Weisenburger Steven C.
Название: Gravity`s Rainbow, Domination, and Freedom
ISBN: 0820345954 ISBN-13(EAN): 9780820345956
Издательство: Mare Nostrum (Eurospan)
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Цена: 4019.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: When published in 1973, Gravity’s Rainbow expanded our sense of what the novel could be. Pynchon’s extensive references to modern science, history and culture challenged any reader, while his prose bent the rules for narrative art and his satirical practises taunted U.S. obscenity and pornography statutes. His writing thus enacts freedom even as the book’s great theme is domination: humanity’s diminished “chances for freedom” in a global military-industrial system birthed and set on its feet in World War II. Its symbol: the V-2 rocket. Gravity’s Rainbow, Domination, and Freedom broadly situates Pynchon’s novel in “long sixties” history, revealing a fiction deeply of and about its time. Herman and Weisenburger put the novel’s abiding questions about freedom in context with sixties struggles against war, restricted speech rights, ethno-racial oppression, environmental degradation and subtle new means of social and psychological control. They show the text’s close indebtedness to critiques of domination by key postwar thinkers such as Erich Fromm, Herbert Marcuse and Hannah Arendt. They detail equally powerful ways that sixties countercultural practises - free-speech resistance played out in courts, campuses, city streets and raucously satirical underground presswork - provide a clearer bearing on Pynchon’s own satirical practises and their implicit criticisms.If the System has jacketed humanity in a total domination, may not a solitary individual still assert freedom? Or has the System captured all - even supposedly immune elites - in an irremediable dominion? Reading Pynchon’s main characters and storylines, this study realises a darker Gravity’s Rainbow than critics have been willing to see.

Gravity`S Rainbow, Domination, And Freedom

Автор: Herman & Weisenburger
Название: Gravity`S Rainbow, Domination, And Freedom
ISBN: 0820335088 ISBN-13(EAN): 9780820335087
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 10534.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: When published in 1973, Gravity’s Rainbow expanded our sense of what the novel could be. Pynchon’s extensive references to modern science, history and culture challenged any reader, while his prose bent the rules for narrative art and his satirical practises taunted U.S. obscenity and pornography statutes. His writing thus enacts freedom even as the book’s great theme is domination: humanity’s diminished “chances for freedom” in a global military-industrial system birthed and set on its feet in World War II. Its symbol: the V-2 rocket. Gravity’s Rainbow, Domination, and Freedom broadly situates Pynchon’s novel in “long sixties” history, revealing a fiction deeply of and about its time. Herman and Weisenburger put the novel’s abiding questions about freedom in context with sixties struggles against war, restricted speech rights, ethno-racial oppression, environmental degradation and subtle new means of social and psychological control. They show the text’s close indebtedness to critiques of domination by key postwar thinkers such as Erich Fromm, Herbert Marcuse and Hannah Arendt. They detail equally powerful ways that sixties countercultural practises - free-speech resistance played out in courts, campuses, city streets and raucously satirical underground presswork - provide a clearer bearing on Pynchon’s own satirical practises and their implicit criticisms.If the System has jacketed humanity in a total domination, may not a solitary individual still assert freedom? Or has the System captured all - even supposedly immune elites - in an irremediable dominion? Reading Pynchon’s main characters and storylines, this study realises a darker Gravity’s Rainbow than critics have been willing to see.


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