Описание: Throughout his life, Atlanta resident George W. Wray Jr. (1936–2004) built a collection of more than six hundred of the rarest Confederate artifacts including not just firearms and edged weapons but also flags, uniforms, and accoutrements. Today, Wray’s collection forms an integral part of the Atlanta History Center’s holdings of some eleven thousand Civil War artifacts. Confederate Odyssey tells the story of the Civil War through the Wray Collection. Analyzing the collection as material evidence, Gordon L. Jones demonstrates how a slave-based economy on the cusp of industrialization attempted to fight an industrial war.The broad range of the collection includes many rare or one-of-a-kind objects, such as a patent model and early inventions by gun maker George W. Morse, the blood-stained coat of a seventeen-year-old South Carolina soldier, battle flags made of cloth imported from England, and arms made in Georgia, the heart of the Confederacy’s burgeoning military-industrial complex.As Civil War history, Confederate Odyssey benefits from the study of material remains as it bridges the domains of professional scholars and amateur collectors such as Wray. The book tells of the stories, significance, and context of these artifacts to general readers and Civil War buffs alike. The Wray Collection is more than a gathering of relics; it is a tale of historical truths revealed in small details.Features: Endorsed by the American Society of Arms Collectors as a definitive work on the material culture of the ConfederacyMany of the finest and most significant Confederate artifacts in existence, including one-of-a-kind itemsOne of the most comprehensive collections of Southern-made arms representing the full range of Confederate, state, and private production from Virginia to TexasNorthern-made arms altered or used by the Confederacy, including Palmetto and Whitney Armory riflesOne of the nation’s most extensive collections of arms made or designed by George W. Morse, as well as other rare Confederate breechloadersBritish-made arms imported through the blockade, including Whitworth sharpshooter rifles and artillery piecesConfederate headgear and uniforms, including six enlisted men’s uniformsSeven Confederate flags, including three battle flags and a naval ensignCanteens, cartridge boxes, cap pouches, shoes, ammunition, gun tools, belt plates, and other accoutrements made or used by the Confederacy
Автор: Bunn Название: The Stage ISBN: 1108081649 ISBN-13(EAN): 9781108081641 Издательство: Cambridge Academ Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Alfred Bunn published these memoirs of his theatrical career in 1840. His account is written with a verve which makes it very readable, and provides a fascinating account of the period when Bunn was running both the Theatre Royal at Drury Lane and the Opera House at Covent Garden.
Автор: Dowd Название: The Dynamics of Inheritance on the Shakespearean Stage ISBN: 1107099773 ISBN-13(EAN): 9781107099777 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first book-length study examining how the Shakespearean theatre shaped attitudes about primogeniture, one of England`s most important and longstanding socio-economic systems. This book offers a new understanding of the history of both inheritance and patriarchy in early modern England, appealing to readers interested in Renaissance drama, economic history, family history, and gender studies.
Автор: Frick John W Название: Uncle Tom`s Cabin on the American Stage and Screen ISBN: 0230114075 ISBN-13(EAN): 9780230114074 Издательство: Springer Рейтинг: Цена: 8384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: No play in the history of the American stage has been as ubiquitous and as widely viewed as Uncle Tom`s Cabin. This book traces the major dramatizations of Stowe`s classic from its inception in 1852 through modern versions on film. Frick introduces the reader to the artists who created the plays and productions that created theatre history.
Автор: Foley Helene P. Название: Reimagining Greek Tragedy on the American Stage ISBN: 0520283872 ISBN-13(EAN): 9780520283879 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. This book shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies - over war, slavery, race, the status of women, religion, identity, and immigration.
Автор: Thorpe Название: Performing China on the London Stage ISBN: 1137597852 ISBN-13(EAN): 9781137597854 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.
Автор: Westgate Название: Staging the Slums, Slumming the Stage ISBN: 1137359684 ISBN-13(EAN): 9781137359681 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing on traditional archival research, reception theory, cultural histories of slumming, and recent work in critical theory on literary representations of poverty, Westgate argues that the productions of slum plays served as enactments of the emergent definitions of the slum and the corresponding ethical obligations involved therein.
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