After the Red Army Faction: Gender, Culture, and Militancy, Scribner Charity
Автор: Mark Neal Название: The Culture Factor ISBN: 1349146854 ISBN-13(EAN): 9781349146857 Издательство: Springer Рейтинг: Цена: 19165 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Multinational companies have learnt through bitter experience that cultural differences can be very damaging in terms of bad communication, high staff turnover and low morale.
Автор: Mark Neal Название: The Culture Factor ISBN: 0333722132 ISBN-13(EAN): 9780333722138 Издательство: Springer Рейтинг: Цена: 20363 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This text examines why cultural differences can be so damaging to multinational companies in terms of failed initiatives, lost contracts, high employee turnover and low morale. It also aims to show how business can manage cultural difference more effectively.
Описание: Quietly but implacably, powerful transnational corporations are gaining power over our visual world. This book exposes the interior workings of the visual content industry, which produces approximately 70 per cent of the images that define consumer cultures. It provides an exploration of industrialized commercial photography, its uses and abuses.
Описание: First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Alter Nora M. Название: The Essay Film After Fact and Fiction ISBN: 0231178212 ISBN-13(EAN): 9780231178211 Издательство: Wiley Рейтинг: Цена: 3696 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. The essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre`s origins and follows its transformations.
Описание: After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere.
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