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The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music, Allanbrook Wye Jamison


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Автор: Allanbrook Wye Jamison
Название:  The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music
ISBN: 9780520274075
Издательство: Wiley
Классификация:
ISBN-10: 0520274075
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.67 кг.
Дата издания: 07.06.2014
Серия: Ernest bloch lectures
Язык: English
Иллюстрации: 24 music examples
Размер: 230 x 158 x 21
Читательская аудитория: General (us: trade)
Подзаголовок: Comic mimesis in late eighteenth-century music
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, this book shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa.


Divina commedia

Автор: Alighieri, Dante
Название: Divina commedia
ISBN: 1103518674 ISBN-13(EAN): 9781103518678
Издательство: Cambridge Academ
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Цена: 2691.00 р.
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Performance and Literature in the Commedia dell`Arte

Автор: Henke
Название: Performance and Literature in the Commedia dell`Arte
ISBN: 0521643244 ISBN-13(EAN): 9780521643245
Издательство: Cambridge Academ
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Цена: 14256.00 р.
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Описание: This 2002 book explores the commedia dell`arte: the Italian professional theatre in Shakespeare`s time. Henke closely analyzes commedia dell`arte texts in order to demonstrate how the spoken word and written literature were fruitfully combined in performance.

The Theatre of Death – The Uncanny in Mimesis

Автор: Twitchin
Название: The Theatre of Death – The Uncanny in Mimesis
ISBN: 1137478713 ISBN-13(EAN): 9781137478719
Издательство: Springer
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Цена: 13974.00 р.
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Описание: This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny.Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living…” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?

Shakespearean Representation: Mimesis and Modernity in Elizabethan Tragedy

Автор: Felperin Howard
Название: Shakespearean Representation: Mimesis and Modernity in Elizabethan Tragedy
ISBN: 0691614628 ISBN-13(EAN): 9780691614625
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in partic

Mimesis and alterity

Автор: Taussig, Michael T.
Название: Mimesis and alterity
ISBN: 0415906873 ISBN-13(EAN): 9780415906876
Издательство: Taylor&Francis
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Цена: 7654.00 р.
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Описание: Taussig undertakes a history of the mimetic faculty. Using anthropological theory and the ideas of Benjamin, Adorno and Horckheimer the author analyses mimesis across time and cultures.


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