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Concepts of Cabralism: Amilcar Cabral and Africana Critical Theory, Rabaka Reiland


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Автор: Rabaka Reiland
Название:  Concepts of Cabralism: Amilcar Cabral and Africana Critical Theory
ISBN: 9780739192108
Издательство: Bloomsbury
Классификация:



ISBN-10: 0739192108
Обложка/Формат: Hardback
Страницы: 386
Вес: 0.73 кг.
Дата издания: 16.07.2014
Серия: Critical africana studies
Язык: English
Размер: 234 x 157 x 31
Читательская аудитория: Professional & vocational
Подзаголовок: Amilcar cabral and africana critical theory
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Поставляется из: Англии
Описание: By examining Amilcar Cabral`s theories and praxes, Reiland Rabaka reintroduces and analyzes several of the core characteristics of the Africana critical theory. Ultimately, this book promotes the ways in which classical black radicalism should inform contemporary black radicalism, and contemporary Africana critical theory.


Negritude Movement

Автор: Rabaka Reiland
Название: Negritude Movement
ISBN: 1498511376 ISBN-13(EAN): 9781498511377
Издательство: Bloomsbury
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Цена: 9207.00 р.
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Описание: The Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory (W.E.B. Du Bois, the New Negro Movement, and the Harlem Renaissance) and its posthistory (Frantz Fanon and the evolution of Fanonism).

Civil Rights Music: The Soundtracks of the Civil Rights Movement

Автор: Rabaka Reiland
Название: Civil Rights Music: The Soundtracks of the Civil Rights Movement
ISBN: 1498531806 ISBN-13(EAN): 9781498531801
Издательство: Bloomsbury
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Цена: 7128.00 р.
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Описание: While there have been a number of studies that have explored African American "movement culture" and African American "movement politics," rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American "movement music," and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. "Movement music" experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages--some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.


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