The Renaissance Hamlet: Issues and Responses in 1600, Frye Roland Mushat

Автор: Shakespeare
Название: Hamlet
ISBN: 0199535817 ISBN-13(EAN): 9780199535811
Издательство: Oxford Academ
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Описание: Hamlet`s combination of violence and introspection is unusual among Shakespeare`s tragedies. It is also full of curious riddles and fascinating paradoxes, making it one of his most widely discussed plays. Professor Hibbard`s illuminating and original introduction explains the process by which variant texts were fused together in the eighteenth century to create the most commonly used text of today. Drawing on both critical and theatrical history, he shows how this fusion makes Hamlet seem a much more `problematic` play than it was when it originally appeared in the First Folio of 1623. The Oxford Shakespeare edition presents a radically new text, based on that First Folio, which printed Shakespeare`s own revision of an earlier version. The result is a `theatrical` and highly practical edition for students and performers alike.

Автор: Shakespeare
Название: Hamlet
ISBN: 1108005799 ISBN-13(EAN): 9781108005791
Издательство: Cambridge Academ
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Описание: John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

Автор: Shakespeare
Название: Hamlet, Prince of Denmark
ISBN: 0521532523 ISBN-13(EAN): 9780521532525
Издательство: Cambridge Academ
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Цена: 1424.00 р.
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Описание: Philip Edwards aims to bring the reader, playgoer and director of Hamlet into the closest possible contact with Shakespeare’s most famous and most perplexing play. In his Introduction Edwards considers the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy which the play has provoked and offering a way forward which enables us once again to recognise its full tragic energy. For this updated edition, Robert Hapgood has added a new section on prevailing critical and performance approaches to the play. He discusses recent film and stage performances, actors of the Hamlet role as well as directors of the play; his account of new scholarship stresses the role of remembering and forgetting in the play, and the impact of feminist and performance studies.