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Wood-Engraving, Linton


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Автор: Linton
Название:  Wood-Engraving
ISBN: 9781108009089
Издательство: Cambridge Academ
Классификация:
ISBN-10: 1108009085
Обложка/Формат: Paperback
Страницы: 156
Вес: 0.21 кг.
Дата издания: 04.03.2010
Серия: Cambridge Library Collection - History of Printing, Publishing and Libraries
Язык: English
Иллюстрации: 39 b/w illus.
Размер: 216 x 140 x 9
Читательская аудитория: engraving, illustration, art
Основная тема: English literature
Подзаголовок: A Manual of Instruction
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: William James Linton (1812–1897) was a wood-engraver, poet, prose writer and political activist, who first worked in London but emigrated to the United States in 1866. He began his wood-engraving apprenticeship at the age of sixteen under the well-known London engraver G. W. Bonner. Lintons mature work, championing the use of white lining and favouring the use of horizontal engraved lines and creating tone by differing line thickness, continued in the tradition of Thomas Bewick (1753–1828), the founding figure of wood-engraving. The publication of this book in 1884 marked the culmination of Lintons career, though he continued to research and write on the subject. The manual, originally published in only five hundred copies, is beautifully illustrated with Lintons own engravings and is a rich source for anyone interested in the technical details as well as the historical development of this specialist craft.


Treatise on Wood Engraving, Historical and Practical

Автор: Jackson
Название: Treatise on Wood Engraving, Historical and Practical
ISBN: 1108009158 ISBN-13(EAN): 9781108009157
Издательство: Cambridge Academ
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Цена: 6493.00 р.
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Описание: A Treatise on Wood Engraving, Historical and Practical (1839), combines the practical knowledge of an engraver with the critical inquiry of an historian. Compiled and edited by William Andrew Chatto, an established author with an interest in woodcuts, the book was originally conceived by the wood-engraver John Jackson, who provided the book's more than three hundred engravings. Roughly three quarters of the Treatise is concerned with the historical evolution of engraving, from the Egyptian hieroglyph stamps held at the British Museum through the masterful works of Albrecht D?rer to the decline and reinvigoration of the art in the seventeenth and eighteenth centuries. Practical analysis permeates the text as a whole, with the final section explaining more fully how a block is chosen, cut, and even repaired. The book is therefore of interest to art historians, historians of the book, and even artist practitioners interested in nineteenth-century methods.


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