In this compelling exploration of language, archaeology, and early medieval literature, Max Dashu illuminates hidden cultural heritages. She shows that the old ethnic names for "witch" signify 'wisewoman, ' 'prophetess, ' 'diviner, ' 'chanter, ' 'herbalist, ' and 'healer.' She fleshes out the oracular ceremonies of the Norse v lur ("staff-women"), their incantations and "sitting-out" on the land seeking vision. Archaeological finds of their ritual staffs show that many symbolize the distaff, a spinner's wand that connects with wider European themes of goddesses, fates, witches, and female power. They include Berthe P dauque, also known as the "Swan-footed Queen," whose spinning began at the proverbial beginning of time. Veneration of the Fates persisted under many titles, as the Norns, sudice, fatas and f es, Wyrd or the Three Weird Sisters.
Witches and Pagans looks at women's sacraments in early medieval Europe, a subject that has been buried deep for centuries. Women set out offering tables for the Three Sisters or the "good women," chanted over herbs, and healed children by passing them through 'elf-bores.' Spinning and weaving were ceremonial acts with divinatory or protective power, as bishops' scoldings reveal. Churchmen also railed against the Women Who Go by Night with Diana or Holda or Herodias, in shamanic flight on spirit animals. This was the foundational witch-legend that demonologists seized upon in later centuries. But witch persecution was already underway, as a chapter on the sexual politics of early medieval witch burnings documents.
A thousand years ago, an Old English scribe condemned people who "bring their offerings to earth-fast stone and also to trees and to wellsprings, swa wiccan taecad--as the witches teach." This indicates that people still regarded witches as spiritual teachers, and that they performed ceremonies of reverence to Earth. Many aspects of ethnic spiritual culture survived the state conversions to Christianity: ancestor veneration, crystal balls, amulets--and witches' wands. Artists depicted Mother Earth giving her breast to serpents, animals, and children. Stories of ancestral women--the Cailleach and the Scandinavian d sir --were handed down over countless generations.
Gathering together forgotten strands from heathen European heritages, Witches and Pagans reweaves the ripped webs of women's culture.
Автор: Federici Silvia Название: Witches, Witch-Hunting, and Women ISBN: 1629635685 ISBN-13(EAN): 9781629635682 Издательство: Неизвестно Рейтинг: Цена: 2069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relations. In this new work that revisits some of the main themes of Caliban and the Witch, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth- and seventeenth-century Europe and the "New World," this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people's most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today's violence against women are processes of enclosure, land dispossession, and the remolding of women's reproductive activities and subjectivity.
As well as an investigation into the causes of this new violence, the book is also a feminist call to arms. Federici's work provides new ways of understanding the methods in which women are resisting victimization and offers a powerful reminder that reconstructing the memory of the past is crucial for the struggles of the present.
Автор: Warnicke Название: Wicked Women of Tudor England ISBN: 0230391923 ISBN-13(EAN): 9780230391925 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This fascinating study delves into the lives of six Tudor women celebrated for their reputed wickedness. Collected here are accounts of Anne Boleyn, Katherine Howard, Anne Seymour, Lettice Dudley, and Jane and Alice More. Warnicke rescues these women from historical misrepresentations and helps us to rediscover the complex world of Tudor society.
Описание: Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
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