Описание: Each of the filmmakers studied here define their own authorial task in relation to that of the literary precursor, and insert "umbilicalscenes or "allegories of adaptationto teach viewers how to read their cinematic rewriting of literary sources.
Автор: Goodwin, James Название: Akira Kurosawa and Intertextual Cinema ISBN: 0801846617 ISBN-13(EAN): 9780801846618 Издательство: Wiley Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this text, Goodwin draws on contemporary theoretical and critical approaches to explore Kurosawa`s use of a variety of texts to create cinema that is both intertextual and intercultural. He examines lesser-known works as well as major films.
Описание: Laura R. Brueck emphasizes the sociopolitical perspectives and literary strategies of a range of contemporary Dalit (low caste) writers working in Hindi, exploring what makes Dalit literature "Dalit," why it is important, and where it opposes or intersects with other bodies of Indian literature. She follows the debate among Dalit writers as they establish a specific literary critical approach, underscoring the significance of the Dalit literary sphere as a "counterpublic" generating contemporary Dalit social and political identities. Brueck then performs close readings of contemporary Hindi Dalit short stories, focusing on the aesthetic and stylistic strategies deployed by writers whose class, gender, and geographic backgrounds shape their distinct voices. By reading Dalit literature as literature, this study unravels its aesthetic innovations as well as the complexities of its sociopolitical and identity-based origins.
Автор: Diettrich Brian, Beaster-Jones Jayson Название: Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song ISBN: 0199862540 ISBN-13(EAN): 9780199862542 Издательство: Oxford Academ Рейтинг: Цена: 3800.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bollywood Sounds surveys seventy years of Hindi film song as a cosmopolitan and overwhelmingly popular music of India. Author Jayson Beaster-Jones analyzes more than twenty landmark songs and provides insights into song production practices and influential music makers.
Автор: Bruzzi, Stella Название: Undressing cinema ISBN: 0415139570 ISBN-13(EAN): 9780415139571 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using case studies drawn from contemporary popular cinema to reassess ideas about costume and fashion in cinema, Bruzzi explores how clothes are key elements in the construction of cinematic identities and proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
Автор: Livingston, Paisley Название: Cinema, Philosophy, Bergman ISBN: 0199570175 ISBN-13(EAN): 9780199570171 Издательство: Oxford Academ Рейтинг: Цена: 8554.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Can cinema be a medium for philosophy? If so, how is the philosophizing done? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman`s cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.
Автор: Jaffe Ira Название: Slow Movies: Countering the Cinema of Action ISBN: 0231169795 ISBN-13(EAN): 9780231169790 Издательство: Wiley Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema`s reliance on motion and action"--Page 4 of cover.
Автор: MISHRA, VIJAY Название: Bollywood Cinema: Temples of Desire ISBN: 0415930146 ISBN-13(EAN): 9780415930147 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian culture. He examines this through the dual methodologies of postcolonial studies and film theory.
Описание: Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939-1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, 'Red funerals,' and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it's in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.
Автор: Taylor, John Russell (Author) Название: Directors and Directions: Cinema for the Seventies ISBN: 1138967734 ISBN-13(EAN): 9781138967731 Издательство: Taylor&Francis Рейтинг: Цена: 6889.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This is a study of nine key film-makers who came into prominence in the early '70s: Claude Chabrol, Pier Paolo Pasolini, Lindsay Anderson, Stanley Kubrick, Andy Warhol and Paul Morrissey, Satyajit Ray, Miklos Jancs , and Dusan Makavejev - representing seven film-producing countries. In this book John Russell Taylor does for the 1970s what his earlier book Cinema Eye, Cinema Ear did for the 1960s: he disentangles some of the major talents from the minor, and subjects them to close critical scrutiny, documenting their careers, detailing their development as individual creators, and placing them in their social and artistic context. Thus the book provides an invaluable synopsis and guide for all who are interested in the development of modern cinema. It includes a comprehensive bibliography and fully detailed filmographies.
Название: Cahiers du cinema ISBN: 0674090659 ISBN-13(EAN): 9780674090651 Издательство: Wiley Рейтинг: Цена: 5536.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, Francois Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal's laudatory critiques of popular American movies were attaining the greatest notoriety.
As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade.
The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. For an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book is essential reading.
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