The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema 9781623561840

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Автор: Gerald Sim
Название: The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema
ISBN: 9781623561840
Издательство: Bloomsbury Academic
Классификация:

Теория и критика кино

Этнические исследования

Политические идеологии

ISBN-10: 1623561841
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.50 кг.
Дата издания: 25.09.2014
Серия: Arts
Язык: English
Иллюстрации: 30 bw illus
Размер: 231 x 150 x 23
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Ethnic studies,Marxism & Communism, PERFORMING ARTS / Film & Video / History & Criticism,POLITICAL SCIENCE / Political Ideologies / Communism, Post-Communism & Socialism,SOCIAL SCIENCE / Ethnic Studies / General
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Ethnic Studies / General,POLITICAL SCIENCE / Political Ideologies / Communism, Post-Communism & Socialism,Ethnic studies,Marxism & Communism
Подзаголовок: Retheorizing politics, ideology, and cinema
Рейтинг:
Поставляется из: Англии
Описание: The Subject of Film and Race is the first comprehensive intervention into how film critics and scholars have sought to understand cinemas relationship to racial ideology. In attempting to do more than merely identify harmful stereotypes, research on films and race appropriates ideas from post-structuralist theory. But on those platforms, the field takes intellectual and political positions that place its anti-racist efforts at an impasse. While presenting theoretical ideas in an accessible way, Gerald Sims historical materialist approach uniquely triangulates well-known work by Edward Said with the Neo-Marxian writing about film by Theodor Adorno and Fredric Jameson. The Subject of Film and Race takes on topics such as identity politics, multiculturalism, multiracial discourse, and cyborg theory, to force film and media studies into rethinking their approach, specifically towards humanism and critical subjectivity. The book illustrates theoretical discussions with a diverse set of familiar films by John Ford, Michael Mann, Todd Solondz, Quentin Tarantino, Keanu Reeves, and others, to show that we must always be aware of capitalist history when thinking about race, ethnicity, and films.
Дополнительное описание: List of Illustrations Acknowledgements Introduction: What is Critical Race Film Studies? Chapter 1: Key Developments in Critical Race Film Studies First Generation CriticismSecond Generation Criticism Separate and Equal: The Impact of Identit

The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema, Gerald Sim