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Quentin Tarantino`s Django Unchained: The Continuation of Metacinema, Oliver C. Speck


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Автор: Oliver C. Speck
Название:  Quentin Tarantino`s Django Unchained: The Continuation of Metacinema
ISBN: 9781628928396
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1628928395
Обложка/Формат: Hardback
Страницы: 328
Вес: 0.54 кг.
Дата издания: 25.09.2014
Серия: Arts
Язык: English
Иллюстрации: 20 bw illus
Размер: 224 x 137 x 28
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Individual film directors, film-makers, PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / History & Criticism
Основная тема: Individual film directors, film-makers,PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / History & Criticism,Film theory & criticism
Подзаголовок: The continuation of metacinema
Рейтинг:
Поставляется из: Англии
Описание: Django Unchained is certainly Quentin Tarantinos most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantinos standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.
Дополнительное описание: 0. Introduction: A Southern State of Exception Oliver C. Speck, Virginia Commonwealth University, USA Part I. Cultural Roots and Intertexts: Germany, France, US 20 1. Dr. 'King' Schultz as Ideologue and Emblem: The German Enlightenment and the L



Quentin Tarantino`s Django Unchained: The Continuation of Metacinema

Автор: Oliver C. Speck
Название: Quentin Tarantino`s Django Unchained: The Continuation of Metacinema
ISBN: 1628926600 ISBN-13(EAN): 9781628926606
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 4117.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.

Quentin Tarantino: Poetics and Politics of Cinematic Metafiction

Автор: Roche David
Название: Quentin Tarantino: Poetics and Politics of Cinematic Metafiction
ISBN: 1496821157 ISBN-13(EAN): 9781496821157
Издательство: Mare Nostrum (Eurospan)
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Цена: 4389.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.


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