Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility, David Deamer

Автор: Bogue Mike
Название: Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967
ISBN: 1476668418 ISBN-13(EAN): 9781476668413
Издательство: Mare Nostrum (Eurospan)
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Цена: 6653.00 р.
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Описание: Your next stop - mutants, monsters, and mushroom clouds. America, the only country to have dropped the Bomb, and Japan, the only country to have suffered its wrath, naturally portray the nuclear threat through different cinematic lenses, and Apocalypse Then shows the view from both sides of the Pacific.

Автор: Andrea Poma
Название: The Impossibility and Necessity of Theodicy
ISBN: 9400798881 ISBN-13(EAN): 9789400798885
Издательство: Springer
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Цена: 19564.00 р.
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Описание: This analytical review of Leibniz`s `Essais de Theodicee` shows and upholds Leibniz`s rational conception of faith, his rational notion of mystery, the reformation of classical ontology and the importance of his thought in the tradition of critical idealism.

Автор: David Deamer
Название: Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility
ISBN: 1501317733 ISBN-13(EAN): 9781501317736
Издательство: Bloomsbury Academic
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Описание:

David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema.

Each chapter begins by focusing upon one or more of three key Deleuzian themes - image, history and thought - before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics - Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks - Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.