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The Politics of Magic: Defa Fairy-Tale Films, Shen Qinna


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Цена: 4137.00р.
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Автор: Shen Qinna
Название:  The Politics of Magic: Defa Fairy-Tale Films
ISBN: 9780814339039
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 0814339034
Обложка/Формат: Paperback
Страницы: 352
Вес: 0.53 кг.
Дата издания: 30.05.2015
Серия: Series in fairy-tale studies
Язык: English
Иллюстрации: 28 illustrations
Размер: 152 x 227 x 24
Читательская аудитория: General (us: trade)
Ключевые слова: Film: styles & genres,Literary studies: general,Folklore, myths & legends
Подзаголовок: Defa fairy-tale films
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Поставляется из: Англии
Описание: From Paul Verhoevens The Cold Heart in 1950 to Konrad Petzolds The Story of the Goose Princess and Her Loyal Horse Falada in 1989, East Germanys state-sponsored film company, DEFA (Deutsche Film-Aktiengesellschaft), produced over forty feature-length, live-action fairy-tale films based on nineteenth-century folk and literary tales. While many of these films were popular successes and paved the way for the studios other films to enter the global market, DEFAs fairy-tale corpus has not been studied in its entirety. In The Politics of Magic: DEFA Fairy-Tale Films, Qinna Shen fills this gap by analyzing the films on thematic and formal levels and examining their embedded agendas in relation to the cultural politics of the German Democratic Republic.In five chapters, Shen compares the films with earlier print versions of the same stories and analyzes revisions made in DEFAs film adaptations. She also distinguishes the DEFA fairy-tale films from National Socialist, West German, and Disney adaptations of the same tales. Her archival work reconstitutes the cultural-historical context in which films were produced and received, and incorporates the films into the larger narrative of DEFA. For the first time, the banned DEFA fairy-tale comedy, The Robe (1961/1991), is discussed in depth. The books title The Politics of Magic is not intended to suggest that DEFA fairy-tale films were merely mouthpieces of official ideology and propaganda. On the contrary, Shen shows that the films run the gamut from politically dogmatic to implicitly subversive, from kitschy to experimental. She argues that the fairy-tale cloak permitted them to convey ideology in a subtle, indirect manner that allowed viewers to forget Cold War politics for a while and to delve into a world of magic where politics took on an allegorical form.The fact that some DEFA fairy-tale films developed an international audience (particularly The Story of Little Mook and Three Hazelnuts for Cinderella) not only attests to these films universal appeal but also to the surprising marketability of this branch of GDR cinema and its impact beyond the GDRs own narrow temporal and geographic boundaries. Shens study will be significant reading for teachers and students of folklore studies and for scholars of German, Eastern European, cultural, film, media, and gender studies.
Дополнительное описание: Film: styles and genres|Folklore studies / Study of myth (mythology)|Literary studies: general



Fairy-Tale Films Beyond Disney

Автор: Zipes Jack
Название: Fairy-Tale Films Beyond Disney
ISBN: 041570930X ISBN-13(EAN): 9780415709309
Издательство: Taylor&Francis
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Цена: 7654.00 р.
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Описание:

The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes's award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world's top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki's Spirited Away, to Jan Svankmajer's Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen.

Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.


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