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Ozu International: Essays on the Global Influences of a Japanese Auteur, Wayne Stein, Marc DiPaolo


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Автор: Wayne Stein, Marc DiPaolo
Название:  Ozu International: Essays on the Global Influences of a Japanese Auteur
ISBN: 9781628922875
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1628922877
Обложка/Формат: Hardback
Страницы: 224
Вес: 0.47 кг.
Дата издания: 07.05.2015
Серия: Arts
Язык: English
Иллюстрации: 35 bw illus
Размер: 237 x 159 x 20
Читательская аудитория: College/higher education
Ключевые слова: Film theory & criticism,Individual film directors, film-makers, PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / History & Criticism
Основная тема: Individual film directors, film-makers,PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / History & Criticism,Film theory & criticism
Подзаголовок: Essays on the global influences of a japanese auteur
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Поставляется из: Англии
Описание:

In Japan and much of Europe, Ozu is widely considered to be one of the finest film directors who ever lived. While Ozu has a strong reputation in the West, his films are not as well-known or widely appreciated in the U.S. as they are elsewhere. A notable exception to this trend is film critic Roger Ebert, who recently wrote that Ozu is one of his three or four favorite directors. Also, moving beyond the view that Tokyo Story is a masterful exception in the Ozu canon, Ebert sees Ozus films as nearly always of the same high quality. Ozu International will reflect on Eberts view of Ozu by arguing that this director deserves broader recognition in the U.S., and that his entire canon is worthy of serious study.

With the recent release of more than 15 Ozu DVDs in the Criterion Collection, covering every phase of his career at least in part (including silent films, black-and-white talkies, and color films), Ozu International helps to fill a lingering gap in English-language scholarship on Ozu by giving this new generation of scholars a book-length forum to explore new critical perspectives on an unfairly neglected director. Contributions include specialists in Japanese culture, academics from a range of disciplines, and professional films critics.


Дополнительное описание: Preface – Ozu, Ray Carney, and the Problem of Ethical Spectatorship Marc DiPaolo, Oklahoma City University, USA Acknowledgements Introduction Part I. Ozu in Cultural Context: Considering Class, Gender, and Domestic Spaces Chapter One.



Ozu

Автор: Richie Donald
Название: Ozu
ISBN: 0520032772 ISBN-13(EAN): 9780520032774
Издательство: Wiley
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Цена: 3216.00 р. 4594.00 -30%
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Описание: Yasujiro Ozu, the man whom his kinsmen consider the most Japanese for all film directors, had but one major subject, the Japanese family, and but one major theme, its dissolution. The Japanese family in dissolution figures in every one of his fifty-three films.

Ozu International: Essays on the Global Influences of a Japanese Auteur

Автор: Wayne Stein, Marc DiPaolo
Название: Ozu International: Essays on the Global Influences of a Japanese Auteur
ISBN: 1501320041 ISBN-13(EAN): 9781501320040
Издательство: Holtzbrink(MPS)/MPS
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Цена: 6018.00 р.
Наличие на складе: Ожидается поступление.

Описание:

In Japan and much of Europe, Ozu is widely considered to be one of the finest film directors who ever lived. While Ozu has a strong reputation in the West, his films are not as well-known or widely appreciated in the U.S. as they are elsewhere. A notable exception to this trend is film critic Roger Ebert, who recently wrote that Ozu is one of his "three or four" favorite directors. Also, moving beyond the view that Tokyo Story is a masterful exception in the Ozu canon, Ebert sees Ozu's films as "nearly always of the same high quality." Ozu International will reflect on Ebert's view of Ozu by arguing that this director deserves broader recognition in the U.S., and that his entire canon is worthy of serious study.

With the recent release of more than 15 Ozu DVDs in the Criterion Collection, covering every phase of his career at least in part (including silent films, black-and-white talkies, and color films), Ozu International helps to fill a lingering gap in English-language scholarship on Ozu by giving this new generation of scholars a book-length forum to explore new critical perspectives on an unfairly neglected director. Contributions include specialists in Japanese culture, academics from a range of disciplines, and professional films critics.

Автор: Schrader Paul
Название: Transcendental Style in Film: Ozu, Bresson, Dreyer
ISBN: 0520296818 ISBN-13(EAN): 9780520296817
Издательство: Wiley
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Цена: 3960.00 р.
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Описание: With a new introduction, acclaimed director Paul Schrader revisits and updates his study and contemplation of slow cinema of the past fifty years. This seminal text analyzes the film style of three great directors--Yasujiro Ozu, Robert Bresson, Carl Dreyer--and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state with austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This important book is an original contribution to film analysis and a key work by one of our most searching directors and writers.

Transcendental Style in Film has been widely cited and used in film and art classes. This edition updates Schrader's theoretical framework and provides a stimulating counter-history to the last half century of global art cinema, extending his theory to the works of Andrei Tarkovsky (Russia), B'la Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey) among others. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.

Reorienting Ozu

Автор: Choi, Jinhee
Название: Reorienting Ozu
ISBN: 019025498X ISBN-13(EAN): 9780190254988
Издательство: Oxford Academ
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Цена: 6572.00 р.
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Описание: Considered by many film critics as the master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. The Cinema of Ozu presents new perspectives on Ozu`s aesthetic sensibility and his influence on global art cinema directors.

Five Directors : Auteurism from Assayas to Ozon

Автор: Ince, Kate
Название: Five Directors : Auteurism from Assayas to Ozon
ISBN: 0719086418 ISBN-13(EAN): 9780719086410
Издательство: NBN International
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Цена: 4222.00 р.
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Описание: Looks at Francophone filmmakers - those who are working in the French language. Contains an excellent appraisal of the auteurist concept`s meaning and value to Francophone cinema. The five directors are among the most acclaimed contemporary film makers: Olivier Assayas, Jacques Audiard, the Dardenne brothers, Michael Haneke and Francois Ozon. -- .

The Ultimate Stallone Reader: Sylvester Stallone as Star, Icon, Auteur

Автор: Holmlund Chris
Название: The Ultimate Stallone Reader: Sylvester Stallone as Star, Icon, Auteur
ISBN: 0231169817 ISBN-13(EAN): 9780231169813
Издательство: Wiley
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Цена: 3485.00 р.
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Описание: Eleven original essays by internationally-known scholars examine Stallone`s contributions to mainstream cinema, independent film, and television

Hitchcock and France: The Forging of an Auteur

Автор: Vest, James M (Author)
Название: Hitchcock and France: The Forging of an Auteur
ISBN: 0275970892 ISBN-13(EAN): 9780275970895
Издательство: ORCA BOOK SERVICES
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Цена: 15873.00 р.
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Описание:

In his bold new study of the career of one of filmmaking's premier directors, author James M. Vest traces two intertwining strands of history: Alfred Hitchcock's interest in French culture, and French critics' sometimes complementary, sometimes confrontational interest in him. In the 1950s, Hitchcock was increasingly committed to including French-related elements in his films to enhance suspense and humor. At that same time, young critics in France-including Fran ois Truffaut, Claude Chabrol, Eric Rohmer, and Jean-Luc Godard-discovered in Hitchcock's films the mark of an auteur. They saw in him the creator of a cohesive body of work that bore his unique imprint, and in so doing, they countered the dominant opinion of Hitchcock as a proficient craftsman but ultimately just a maker of implausible melodramas. These interactions, explored fully and in-depth here, led not only to a revolution in film criticism, but also to a reenergizing of French cinema as well as the creation of a reputation that has lasted decades.

Here is examined for the first time the cultural and intellectual background of those convergences in the mid-1950s-when the auteur theory was first being developed-as well as Hitchcock's transformation of French source materials in such films as I Confess and Vertigo, his use of French allusions in several films, and his New Wave tendencies in others. Providing access to books, essays, reviews, screenplays, and advertisements not generally available, Hitchcock and France chronicles a crucial period in the history of both filmmaking and film-viewing.

Global auteur

Название: Global auteur
ISBN: 1501338560 ISBN-13(EAN): 9781501338564
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
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Описание: Once heralded and defined by the likes of Fran ois Truffaut and Andrew Sarris as a romantic figure of aesthetic individualism, the auteur is reinvestigated here through a novel approach. Bringing established as well as emergent figures of world art cinema to the fore, The Global Auteur shows how politics and philosophy are present in the works of these important filmmakers. They can be still seen leading a fight that their glorious predecessors seemed to have abandoned in the face of global capitalism and the market economy. Yet, as the contributors show, a new world calls for a new cinema, and thus for new auteurs. Covering a range of global auteurs such as Lars von Trier, Lav Diaz, Lee Chang-dong and Abderrahmane Sissako, The Global Auteur provides a much-needed reassessment of the film auteur for the global age.

The Global Auteur: The Politics of Authorship in 21st Century Cinema

Автор: Seung-hoon Jeong, Jeremi Szaniawski
Название: The Global Auteur: The Politics of Authorship in 21st Century Cinema
ISBN: 1501312626 ISBN-13(EAN): 9781501312625
Издательство: Bloomsbury Academic
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Цена: 20592.00 р.
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Описание: Once heralded and defined by the likes of Fran ois Truffaut and Andrew Sarris as a romantic figure of aesthetic individualism, the auteur is reinvestigated here through a novel approach. Bringing established as well as emergent figures of world art cinema to the fore, The Global Auteur shows how politics and philosophy are present in the works of these important filmmakers. They can be still seen leading a fight that their glorious predecessors seemed to have abandoned in the face of global capitalism and the market economy. Yet, as the contributors show, a new world calls for a new cinema, and thus for new auteurs. Covering a range of global auteurs such as Lars von Trier, Lav Diaz, Lee Chang-dong and Abderrahmane Sissako, The Global Auteur provides a much-needed reassessment of the film auteur for the global age.

Authoring Hal Ashby: The Myth of the New Hollywood Auteur

Автор: Aaron Hunter
Название: Authoring Hal Ashby: The Myth of the New Hollywood Auteur
ISBN: 1501308432 ISBN-13(EAN): 9781501308437
Издательство: Bloomsbury Academic
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Цена: 20592.00 р.
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Описание: Casting fresh light on New Hollywood - one of American cinema's most fertile eras - Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members.

Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators.

Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers.

The Elusive Auteur: The Question of Film Authorship Throughout the Age of Cinema

Автор: Hodsdon Barrett
Название: The Elusive Auteur: The Question of Film Authorship Throughout the Age of Cinema
ISBN: 1476668736 ISBN-13(EAN): 9781476668734
Издательство: Mare Nostrum (Eurospan)
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Цена: 10672.00 р.
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Описание: The director's authorial role in filmmaking - the extent to which a film reflects his or her individual style and creative vision - has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation ""auteur"" has gone from stylistic criterion to product label - in what has always been an essentially collaborative industry. Examining the controversy in relation to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.

Popular Music and the New Auteur Visionary Filmmakers after MTV

Автор: Ashby
Название: Popular Music and the New Auteur Visionary Filmmakers after MTV
ISBN: 0199827354 ISBN-13(EAN): 9780199827350
Издательство: Oxford Academ
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Цена: 5622.00 р.
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Описание: Popular Music and the New Auteur looks at seven contemporary directors whose feature films are characterized by music-video aesthetics. Demonstrating a fresh kind of cinematic musicality, these filmmakers write against music rather than against script, and allow pop songs a determining role in narrative and imagery.


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