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T.E. Hulme and Modernism, Oliver Tearle


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Автор: Oliver Tearle
Название:  T.E. Hulme and Modernism
ISBN: 9781474222907
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474222900
Обложка/Формат: Paperback
Страницы: 208
Вес: 0.26 кг.
Дата издания: 26.02.2015
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: Black & white illustrations
Размер: 235 x 156 x 14
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary theory,Literary studies: general,Literary studies: from c 1900 -, LITERARY CRITICISM / General,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / Semiotics & Theory
Основная тема: Literary theory,LITERARY CRITICISM / General,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / Semiotics & Theory,Literary studies: general,Literary studies: from c 1900 -
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Поставляется из: Англии
Описание: T. E. Hulme (1883-1917) was the author of a small number of poems and some genuinely innovative critical and philosophical writings. From this modest output his influence on later writers was considerable: T. S. Eliot described his poems as ‘beautiful’ and Ezra Pound and Wyndham Lewis were both inspired by his work. T.E. Hulme and Modernism explores his impact on key modernist figures, and also shows where this influence has been misplaced or misinterpreted. Oliver Tearle also here suggests that Hulme’s significance goes beyond his influence on modernism, and that his work provides new ways of thinking about creative and critical writing in the 21st century. What is poetry? What is the purpose of literary criticism? And how might the strange phenomenon of the fragment offer new ways of theorising such issues? In exploring these and other important matters this book pushes at the boundaries of literary criticism and of writing itself.
Дополнительное описание: Introduction 1. Look-Out Man: Hulme's theories 2. Star-Eaten: Hulme's Romantic Images 3. Noon-Heat: Hulme's Contemporaries 4. Marking-Time: Hulme's Influence After-black: An Afterword Bibliography Index



Modernism and Autobiography

Автор: DiBattista
Название: Modernism and Autobiography
ISBN: 1107025222 ISBN-13(EAN): 9781107025226
Издательство: Cambridge Academ
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Цена: 14890.00 р.
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Описание: This volume consists of essays that attest to the extraordinary inventiveness and range of modernist autobiography. It examines the ways modernist writers chose to tell their life stories, with particular attention to forms, venues, modes of address, and degrees of truthfulness.

Modernism, technology and the body

Автор: Armstrong, Tim
Название: Modernism, technology and the body
ISBN: 0521599970 ISBN-13(EAN): 9780521599979
Издательство: Cambridge Academ
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Цена: 6494.00 р.
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Описание: Tim Armstrong addresses the relations between the body and its technologies in modernism. He draws on a wide range of disciplines to demonstrate the complex interconnections between technology and literature to provide a cultural history modernism as it negotiated the enduring fact of the human body in a period of rapid technological change.

Spoiled Distinctions: Aesthetics and the Ordinary in French Modernism

Автор: Freed-Thall Hannah
Название: Spoiled Distinctions: Aesthetics and the Ordinary in French Modernism
ISBN: 0190201029 ISBN-13(EAN): 9780190201029
Издательство: Oxford Academ
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Цена: 7047.00 р.
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Описание: Spoiled Distinctions charts twentieth-century experiments in the aesthetics of the ordinary, arguing that Proust and his literary and philosophical successors (Francis Ponge, Nathalie Sarraute, Yasmina Reza, Pierre Bourdieu, and Roland Barthes, among others) multiply strategies for reading and valuing the everyday.

Modernism and Christianity

Автор: Tonning Erik
Название: Modernism and Christianity
ISBN: 0230241778 ISBN-13(EAN): 9780230241770
Издательство: Springer
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Цена: 3492.00 р.
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Описание: By theorising the idea of `formative tensions` between cultural Modernism and Christianity, and by in-depth case studies of James Joyce, David Jones, T. S. Eliot, Ezra Pound, W. H. Auden, Samuel Beckett, the book argues that no coherent account of Modernism can ignore the continuing impact of Christianity.


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