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Justice Performed: Courtroom TV Shows and the Theaters of Popular Law, Sarah Kozinn


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Автор: Sarah Kozinn
Название:  Justice Performed: Courtroom TV Shows and the Theaters of Popular Law
ISBN: 9781472532343
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1472532341
Обложка/Формат: Hardback
Страницы: 280
Вес: 0.50 кг.
Дата издания: 29.01.2015
Серия: Arts
Язык: English
Иллюстрации: 8 bw illus
Размер: 147 x 225 x 22
Читательская аудитория: Professional and scholarly
Ключевые слова: Theatre studies,Television, DRAMA / General,PERFORMING ARTS / Television / History & Criticism
Основная тема: Theatre studies,DRAMA / General,PERFORMING ARTS / Television / History & Criticism,Television
Подзаголовок: Courtroom tv shows and the theaters of popular law
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Поставляется из: Англии
Описание: Justice Performed: Courtroom TV Shows and the Theaters of Popular Law is the first study of the reality TV genre to trace its theatrical legacy, connecting the phenomenon of the daytime TV shows to a long history of theatrical trials staged to educate audiences in pedagogies of citizenship. It examines how judge TV fulfills part of laws performative function: that of providing a participatory spectacle the public can recognize as justice. Since it debuted in 1981 with The Peoples Court, which made famous its star jurist, Judge Joseph A. Wapner, dozens of judges have made the move to television. Unlike the demographics in actual courts, most TV judges are non-white men and women hailing from diverse cultural and racial backgrounds. These judges charge their decisions with personal preferences and cultural innuendos, painting a very different picture of what justice looks like. Drawing on interviews with TV judges, producers and production staff, as well as the authors experience as a studio audience member, the book scrutinizes the performativity of the genre, the needs it meets and the inherent ideological biases about race, gender and civic instruction.
Дополнительное описание: Acknowledgements Introduction: 'Judge Judy Did Not Prepare Me For This' Chapter One: Flattening a Genre: Performing Real Disputes on Courtroom Stages Chapter Two: The People's Judges: Staging Judge TV's Common Law Chapter Three: Rehearsing Citizensh



Cop Shows: A Critical History of Police Dramas on Television

Автор: Sabin Roger, Speidel Linda, Wilson Ronald
Название: Cop Shows: A Critical History of Police Dramas on Television
ISBN: 0786448199 ISBN-13(EAN): 9780786448197
Издательство: Mare Nostrum (Eurospan)
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Цена: 4990.00 р.
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Описание: From cops who are paragons of virtue, to cops who are as bad as the bad guys...from surly loners, to upbeat partners...from detectives who pursue painstaking investigation, to loose cannons who just want to kick down the door, the heroes and anti-heroes of TV police dramas are part of who we are. They enter our living rooms and tell us tall tales about the social contract that exists between the citizen and the police. Love them or loathe them - according to the ratings, we love them - they serve a function. They've entertained, informed and sometimes infuriated audiences for over 60 years.This book attempts to explain why, but also to facilitate learning about the genre in higher education, making these shows ""teachable"" in a way they have never been before. Today not only are there more critical texts available, but, in the age of the download and the boxed set, the raw material is there. This collection of essays examines Dragnet, Highway Patrol, Naked City, The Untouchables, The F.B.I., Columbo, Hawaii Five-O, Kojak, Starsky & Hutch, Hill Street Blues, Cagney & Lacey, Miami Vice, Law & Order, Homicide: Life on the Street, NYPD Blue, CSI, The Shield, The Wire, and Justified.It's time to take another look at the "perps," the "vics" and the boys and girls in blue, and ask how their representation intersects with questions of class, gender, sexuality, and "race." What is their socio-cultural agenda? What is their relation to genre and televisuality? And why is it that when a TV cop gives a witness their card and says, ""call me,"" that witness always ends up on a slab?


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