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The Transatlantic Zombie, Lauro


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Автор: Lauro
Название:  The Transatlantic Zombie
ISBN: 9780813568843
Издательство: Mare Nostrum (Eurospan)
Классификация:




ISBN-10: 0813568846
Обложка/Формат: Hardback
Страницы: 284
Вес: 0.55 кг.
Дата издания: 30.05.2015
Язык: English
Иллюстрации: 12 photographs
Размер: 229 x 152 x 19
Ключевые слова: Film: styles & genres,Literary studies: general,Alternative belief systems,Popular culture
Подзаголовок: Slavery, rebellion, and living death
Рейтинг:
Поставляется из: Англии
Описание: Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage.  Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat. 
Дополнительное описание: Film history, theory or criticism|Literature: history and criticism|Popular culture|History of the Americas



The Transatlantic Zombie

Автор: Lauro
Название: The Transatlantic Zombie
ISBN: 0813568838 ISBN-13(EAN): 9780813568836
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 4884.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage.  Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat. 


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