Nunn Sounding The Color Line 9780820347363

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Автор: Nunn
Название: Sounding The Color Line
ISBN: 9780820347363
Издательство: Mare Nostrum (Eurospan)
Классификация:

Музыка: стили и жанры

Народная и традиционная музыка

Социальная история и история культуры

Массовая культура

Социальная дискриминация и неравенство

Этнические исследования

Исследования азиатских и африканских этнических групп

ISBN-10: 0820347361
Обложка/Формат: Hardback
Страницы: 232
Вес: 0.51 кг.
Дата издания: 30.06.2015
Серия: The new southern studies
Язык: English
Иллюстрации: 10 black & white images
Размер: 229 x 152 x 18
Читательская аудитория: Professional and scholarly
Ключевые слова: Folk & traditional music,Social & cultural history,Social discrimination & inequality,Black & Asian studies
Подзаголовок: Music and race in the southern imagination
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Поставляется из: Англии
Описание: Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South.Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners’ racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull—between segregationist cultural logics and music’s disrespect of racially defined boundaries—is an animating force in twentieth-century American popular culture.

Sounding The Color Line, Nunn