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Painting Dixie Red, Feldman


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Автор: Feldman
Название:  Painting Dixie Red
ISBN: 9780813060989
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 0813060982
Обложка/Формат: Paperback
Страницы: 400
Вес: 0.59 кг.
Дата издания: 30.07.2014
Серия: New perspectives on the history of the south
Язык: English
Иллюстрации: Black & white illustrations
Размер: 229 x 152 x 23
Читательская аудитория: Professional and scholarly
Ключевые слова: History of the Americas,Political structure & processes
Подзаголовок: When, where, why, and how the south became republican
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Поставляется из: Англии
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An eloquent and important examination of one of the most significant political trends of the last fifty years, revealing how prescient President Lyndon Johnson was on the occasion of his signing of the 1965 Civil Rights Bill when he made his famous comment about handing the South over to the Republicans for a generation.--Ralph Young, author of Dissent in America

Has the South, once the Solid South of the Democratic Party, truly become an unassailable Republican stronghold? If so, when, where, why, and how did this seismic change occur? Moreover, what are the implications for the U.S. body politic?

Painting Dixie Red is the first volume to grapple with these difficult yet critical questions. In this fascinating and timely collection, a distinguished group of scholars engages in an enlightening debate. Some make the case that the South has become Republican, and some contend that it has not. Some outline the regions exceptionalism, and some reject the idea of regional distinctiveness. Some point to white discontent over civil rights as the root of political changes, and some cite color-blind factors. All offer invaluable insights into U.S. politics during these ultra-partisan times.




William Carlos Williams and the Ethics of Painting

Автор: Diggory Terence
Название: William Carlos Williams and the Ethics of Painting
ISBN: 0691603731 ISBN-13(EAN): 9780691603735
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: In Peter Brueghel`s painting The Adoration of the Kings, the depiction of Joseph and Mary suggested to William Carlos Williams a paradigm for the relationship between poem and painting, reader and text, man and woman, that he had sought throughout his life to establish: a marriage that can acknowledge and withstand infidelity. Here Terence Diggory


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