Описание: The term metafiction invaded the vocabulary of literary criticism around 1970, yet the textual strategies involved in turning fiction back onto itself can be traced through several centuries. In this theoretical/critical study Robert C. Spires examines the nature of metafiction and chronicles its evolution in Spain from the time of Cervantes to the 1970s, when the obsession with novelistic self-commentary culminated in an important literary movement.
The critical portions of this study focus primarily on twentieth-century works. Included are analyses of Unamunos Niebla, Jarness Locura y muerte de nadie and La novia del viento, Torrente Ballesters Don Juan, Cunquieros Un hombre que se parecia a Orestes, and three novels from the self-referential movement of the 1970s, Juan Goytisolos Juan sin Tierra, Luis Goytisolos La colera de Aquiles, and Martin Gaites El cuarto de atras.
Seeking a stronger theoretical basis for his critical readings, Spires offers a sharpened definition of the term metafiction. The mode arises, he declares, through an intentional violation of the boundaries that normally separate the worlds of the author, the fiction, and the reader. Building on theoretical foundations laid by Frye, Scholes, Genette, and others, Spires also proposes a literary paradigm that places metafiction in a position intermediate between fiction and literary theory.
These theoretical formulations place Spiress book in the forefront of critical thought. At the same time, his full-scale analyses of Spanish metafictional works will be welcomed by Hispanists and other students of world literature.
