Barbarism and Religion, Pocock

Автор: Pocock
Название: Barbarism and Religion
ISBN: 0521760720 ISBN-13(EAN): 9780521760720
Издательство: Cambridge Academ
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Описание: This volume in Pocock`s acclaimed sequence on Barbarism and Religion examines the controversy caused by Gibbon`s treatment of the early Christian church. Pocock challenges the assumption that Decline and Fall was intended as an attack on belief in the Christian revelation, and questions our understanding of the character of `enlightenment`.

Автор: Pocock
Название: Barbarism and Religion
ISBN: 1107091462 ISBN-13(EAN): 9781107091467
Издательство: Cambridge Academ
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Описание: This is the sixth and final volume in an acclaimed sequence of works situating Edward Gibbon, and his Decline and Fall of the Roman Empire, in a series of contexts in the history of Europe. This is a major intervention from one of the world`s leading historians of ideas.

Автор: J. G. A. Pocock
Название: Barbarism and Religion
ISBN: 0521721016 ISBN-13(EAN): 9780521721011
Издательство: Cambridge Academ
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Описание: In the fourth volume of Barbarism and Religion - Edward Gibbon`s own phrase, Pocock argues that barbarism was central to the history of western historiography, to the history of the Enlightenment, and to Edward Gibbon himself. This book was first published in 2005.

Название: Liberal Barbarism
ISBN: 1137268913 ISBN-13(EAN): 9781137268914
Издательство: Springer
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Описание: In Liberal Barbarism, Erik Ringmar sets out to explain the 1860 destruction of Yuanmingyuan - the Chinese imperial palace north-west of Beijing - at the hands of British and French armies.

Автор: Thornbury Barbara E
Название: America`s Japan and Japan`s Performing Arts
ISBN: 0472118854 ISBN-13(EAN): 9780472118854
Издательство: Mare Nostrum (Eurospan)
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Цена: 9979.00 р.
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Описание: <em>America’s Japan and Japan’s Performing Arts</em> studies the images and myths that have shaped the reception of Japan-related theatre, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. Thornbury crosses disciplinary boundaries in her wide range of both primary sources and published scholarship, making the book of interest to students and scholars of performing arts studies, Japanese studies, and cultural studies.