Mich le Alexandre's innovative study examines how sexual profiling represses, oppresses, and hinders various aspects of life for both genders, and explores the ways in which the law and the community can help eradicate the practice of sexual profiling. Alexandre defines "sexploitation" as the perpetuation of myths and stereotypical notions regarding men and women in order to further an agenda of oppression and subordination in certain spheres of society. The most popular means through which this sexploitation is achieved is through a method Alexandre coins as "sexual profiling." She argues that sexual profiling ultimately stifles the growth of our society by creating inefficient as well as oppressive systems, and that its eradication can help increase the productivity as well as the morale of society.
Alexandre opens the book by exploring in detail the various ways in which normative views of gender are constructed and perpetuated through media and societal norms. She then focuses on the ways in which recent legal opinions and developments contribute to perpetuate these restrictive and oppressive norms. Finally, Alexandre outlines a plan to help eliminate the presence of these destructive norms and attitudes from different sectors of society.
Описание: The United States routinely has one of the lowest voter turnout rates of any developed democracy in the world. But are expansive institutional efforts like mailin registration, longer poll hours, and "no-excuse" absentee voting uniformly effective in improving voter turnout across states? This book deals with this topic.
Описание: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in `Blackface Nation`, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast`s most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group`s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women`s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America`s consumer culture while the Hutchinsons` songs were increasingly regarded as old-fashioned.
Описание: Analyzing an eclectic history of film and related media, Split Screen Nation argues that popular visions of the American West and the American South must be thought in relation to one another if we are to fully understand the marks both have left on popular ways of imagining the U.S.
Описание: The fully updated third edition of Farewell, My Nation considers the complex and often tragic relationships between American Indians, white Americans, and the U.S.
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