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Colloquial Breton, Ar Bihan Herve


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Цена: 12554.00р.
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Автор: Ar Bihan Herve   (Эрве Биан)
Название:  Colloquial Breton
Перевод названия: Эрве Биан: Разговорный бретонский язык
ISBN: 9781138949843
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138949841
Обложка/Формат: Paperback
Страницы: 294
Вес: 0.37 кг.
Дата издания: 01.07.2015
Серия: Colloquial series
Язык: English
Размер: 218 x 138 x 22
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Language: reference & general, FOREIGN LANGUAGE STUDY / General,FOREIGN LANGUAGE STUDY / Miscellaneous,LANGUAGE ARTS & DISCIPLINES / General
Подзаголовок: The complete course for beginners
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: Specially written by experienced teachers for self-study and class use, the course offers you a step-by-step approach to written and spoken Breton. No prior knowledge of the language is required.


      Старое издание
Colloquial breton

Автор: Press, Ian Bihan, Herve Ar
Название: Colloquial breton
ISBN: 0415224519 ISBN-13(EAN): 9780415224512
Издательство: Taylor&Francis
Цена: 4286.00 р.
Наличие на складе: Поставка под заказ.
Описание: Suitable for self-study and class use, this course offers you a step-by-step approach to written and spoken Breton. It emphasis on conversational language with pronunciation guidance. It also features a grammar section for easy reference; and comprehensive Breton-English glossary, English-Breton glossaries.


Pierre klossowski

Автор: Castanet, Herve
Название: Pierre klossowski
ISBN: 3034302096 ISBN-13(EAN): 9783034302098
Издательство: Peter Lang
Рейтинг:
Цена: 11807.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book examines the many facets of the work of Pierre Klossowski (1905–2001). Klossowski first established himself as a writer and was known and admired by peers such as Bataille, Blanchot, Gide, Foucault, Deleuze and Lacan. But in 1972 he gave up writing to devote himself to his ‘mutism’: painting made up of large coloured drawings. In time he became as famous a painter as he had been a writer and theorist. Klossowski now has two separate groups of commentators: those concerned with his writings and those with his painting, with little overlap between the two.
Here, this separation is explicitly removed. Klossowski’s entire ?uvre revolved around the concept of the gaze. Rarely has the gaze been so radically interpreted – as an active, mobile, evanescent object that breaks down the connections between representation and the visible. How is one to see the invisible divinity? This question plagued Klossowski, and he displaced it onto pornographic rituals. The pantomime of spirits is the scene, fixed in silence, where bodies meet – a knotting of desiring body and dogmatic theology. A creator of simulacra, Klossowski attempted to exorcise the ‘obsessive constraint of the phantasm’ that subjugated him in all these scenes.
Translated from the French by Adrian Price in collaboration with Pamela King.


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