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Class Distinctions



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Автор: Baer, Ronni
Название:  Class Distinctions
Перевод названия: Ронни Баэр: Классовое разделение
ISBN: 9780878468300
Издательство: Thames & Hudson
Классификация:
ISBN-10: 0878468307
Обложка/Формат: Hardback
Страницы: 344
Вес: 2.02 кг.
Дата издания: 27.10.2015
Серия: A Non Series Title
Язык: English
Иллюстрации: Illustrations
Размер: 287 x 236 x 31
Читательская аудитория: General (us: trade)
Основная тема: Exhibition catalogues & specific collections
Подзаголовок: Dutch Painting in the Age of Rembrandt and Vermeer
Рейтинг:
Поставляется из: Англии
Описание: A catalogue of the exhibition showing at the Museum of Fine Arts, Boston, from 11 October 2015 to 18 January 2016.
Дополнительное описание: The Dutch Republic in the seventeenth century was home to one of the greatest flowerings of painting in the history of Western art. Freed from the constraints of royal and church patronage, artists created a rich outpouring of naturalistic portraits, ge




Beauty and the Book: Fine Editions and Cultural Distinction in America

Автор: Benton Megan
Название: Beauty and the Book: Fine Editions and Cultural Distinction in America
ISBN: 0300207476 ISBN-13(EAN): 9780300207477
Издательство: Yale University Press
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Цена: 3630 р.
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Описание: In post-World War I America--a world teeming with magazines, newspapers, radio broadcasts, and movies--many feared that the survival of traditional, serious books was in peril. This concern led to a publishing boom in fine editions--books valued primarily for their beauty, craftsmanship, extravagance, status, or scarcity. Beauty and the Book is a lively cultural history of the explosion in demand for these deluxe books during the 1920s and 1930s. Megan L. Benton argues that the clamor to own fine books reflected the anxieties and desires of those who mourned the rise of a modern mass culture. For them, such volumes not only affirmed a preindustrial ideal but also imparted social distinction and cultural superiority.

Benton combines new archival research with a close examination of three hundred fine editions of the period. In theory, fine bookmakers were devoted to beauty and quality and were unwilling to compromise with machinery, popular taste, or concern for profit. But such ideal standards were nearly impossible to maintain. Paradoxically, fine publishers' ostensible indifference to commercial considerations was one of their most prized and lucrative products for sale. This book illuminates the interplay between the ideal and real nature of fine publishing as well as the complex nature of American cultural ambitions during this pivotal era.


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