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Impersonal Enunciation, or the Place of Film, Metz Christian


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Автор: Metz Christian
Название:  Impersonal Enunciation, or the Place of Film
ISBN: 9780231173674
Издательство: Wiley
Классификация:



ISBN-10: 0231173679
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.38 кг.
Дата издания: 15.12.2015
Серия: Film and culture series
Язык: English
Размер: 155 x 228 x 14
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In this book, he uses the concept of enunciation to articulate how films speak and explore where this communication occurs. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. He draws surprising conclusions that presage current writings on digital media. His analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz`s findings and nascent digital-media theory, emphasizing Metz`s keen anticipation of the methodological and philosophical concerns we wrestle with today.


Impersonal Enunciation, or the Place of Film

Автор: Metz Christian
Название: Impersonal Enunciation, or the Place of Film
ISBN: 0231173660 ISBN-13(EAN): 9780231173667
Издательство: Wiley
Рейтинг:
Цена: 13939.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In this book, he uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. He draws surprising conclusions that presage current writings on digital media. His analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz`s findings and nascent digital-media theory, emphasizing Metz`s keen anticipation of the methodological and philosophical concerns we wrestle with today.


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