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Palgrave Handbook of Posthumanism in Film and Television, Hauskeller Michael


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Автор: Hauskeller Michael
Название:  Palgrave Handbook of Posthumanism in Film and Television
ISBN: 9781137430311
Издательство: Springer
Классификация:

ISBN-10: 1137430311
Обложка/Формат: Hardback
Страницы: 430
Вес: 0.87 кг.
Дата издания: 02.09.2015
Язык: English
Издание: 1st ed. 2015
Иллюстрации: Xxiii, 450 p.
Размер: 163 x 242 x 27
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Германии
Описание: What does popular culture`s relationship with cyborgs, robots, vampires and zombies tell us about being human? Insightful scholarly perspectives shine a light on how film and television evince and portray the philosophical roots, the social ramifications and the future visions of a posthumanist world.


Vertov, Snow, Farocki: Machine Vision and the Posthuman

Автор: David Tomas
Название: Vertov, Snow, Farocki: Machine Vision and the Posthuman
ISBN: 1501307290 ISBN-13(EAN): 9781501307294
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: Vertov, Snow, Farocki: Machine Vision and the Posthuman begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La Region Centrale and De La extend and/or develop important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media and its contemporary practice, an approach that is no longer focused exclusively on the technical question of the new in contemporary media practices but, in contrast, situates a work and measures its originality in historical, intermedia, and ultimately political terms.

The Art Direction Handbook for Film & Television

Автор: Rizzo
Название: The Art Direction Handbook for Film & Television
ISBN: 0415842794 ISBN-13(EAN): 9780415842792
Издательство: Taylor&Francis
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Цена: 7961.00 р.
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Описание: In this new and expanded edition of The Art Direction Handbook, author Michael Rizzo now covers art direction for television, in addition to updated coverage of film design. This comprehensive, professional manual details the set-up of the art department and the day-to-day job duties: scouting for locations, research, executing the design concept, supervising scenery construction, and surviving production. Beyond that, there is an emphasis on not just how to do the job, but how to succeed and secure other jobs. Rounding out the text is an extensive collection of useful forms and checklists, as well as interviews with prominent art directors.

The New Television Handbook

Автор: Holland Patricia
Название: The New Television Handbook
ISBN: 1138833517 ISBN-13(EAN): 9781138833517
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание:

The New Television Handbook provides an exploration of the theory and practice of television at a time when the medium is undergoing radical changes. The book looks at television from the perspective of someone new to the industry, and explores the place of the medium within a constantly changing digital landscape.

This title discusses key skills involved in television production, including: producing, production management, directing, camera, sound, editing and visual effects. Each of these activities is placed within a wider context as it traces the production process from commissioning to post-production.

The book outlines the broad political and economic context of the television industry. It gives an account of television genres, in particular narrative, factual programmes and news, and it considers the academic discipline of media studies and the ways in which theorists have analysed and tried to understand the medium. It points to the interplay of theory and practice as it draws on the history of the medium and observes the ways in which the past continues to influence and invigorate the present.

The New Television Handbook includes:

  • contributions from practitioners ranging from established producers to new entrants;
  • a comprehensive list of key texts and television programmes;
  • a revised glossary of specialist terms;
  • a section on training and ways of getting into the industry.

By combining theory, real-world advice and a detailed overview of the industry and its history, The New Television Handbook is an ideal guide for students of media and television studies and young professionals entering the television industry.

Vertov, Snow, Farocki: Machine Vision and the Posthuman

Автор: David Tomas
Название: Vertov, Snow, Farocki: Machine Vision and the Posthuman
ISBN: 1441169156 ISBN-13(EAN): 9781441169150
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 20592.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Vertov, Snow, Farocki: Machine Vision and the Posthuman begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La R gion Centrale and De La extend and/or develops important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies will also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media and its contemporary practice, an approach that is no longer focused exclusively on the technical question of the new in contemporary media practices but, in contrast, situates a work and measures its originality in historical, intermedia, and ultimately political terms.


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