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Chinese Martial Arts Cinema, Teo Stephen


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Цена: 4750.00р.
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Автор: Teo Stephen
Название:  Chinese Martial Arts Cinema
ISBN: 9781474400084
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474400086
Обложка/Формат: Paperback
Страницы: 272
Вес: 0.43 кг.
Дата издания: 13.11.2015
Серия: Traditions in world cinema
Язык: English
Иллюстрации: 10 black and white illustrations
Размер: 158 x 234 x 16
Читательская аудитория: Professional and scholarly
Ключевые слова: Films, cinema,Media studies,Oriental martial arts
Подзаголовок: The wuxia tradition
Рейтинг:
Поставляется из: Англии
Описание: This is the fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia. The book unveils rich layers of the wuxia tradition as it developed in early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries.


      Старое издание

Chinese martial arts cinema

Автор: Teo, Professor Stephen (nanyang Technological University)
Название: Chinese martial arts cinema
ISBN: 1474403867 ISBN-13(EAN): 9781474403863
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 14256.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

This is the first comprehensive, fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia (literal translation: martial chivalry) - a genre which audiences around the world became familiar with through the phenomenal 'crossover' hit Crouching Tiger, Hidden Dragon (2000). The book unveils rich layers of the wuxia tradition as it developed in the early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries.

Key attractions of the book are analyses of:

  • The history of the tradition as it began in the Shanghai cinema, its rise and popularity as a serialized form in the silent cinema of the late 1920s, and its eventual prohibition by the government in 1931.
  • The fantastic characteristics of the genre, their relationship with folklore, myth and religion, and their similarities and differences with the kung fu sub-genre of martial arts cinema.
  • The protagonists and heroes of the genre, in particular the figure of the female knight-errant.
  • The chief personalities and masterpieces of the genre - directors such as King Hu, Chu Yuan, Zhang Che, Ang Lee, Zhang Yimou, and films such as Come Drink With Me (1966), The One-Armed Swordsman (1967), A Touch of Zen (1970-71), Hero (2002), House of Flying Daggers (2004), and Curse of the Golden Flower (2006).

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