Teilmann-Lock Stina The Object of Copyright: A Conceptual History of Originals and Copies in Literature, Art and Design 9780415737203

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Автор: Teilmann-Lock Stina
Название: The Object of Copyright: A Conceptual History of Originals and Copies in Literature, Art and Design
ISBN: 9780415737203
Издательство: Taylor&Francis
Классификация:

Литературоведение: Общие вопросы

Культурология

Законодательство в сфере защиты интеллектуальной собственности

ISBN-10: 0415737206
Обложка/Формат: Hardback
Страницы: 164
Вес: 0.40 кг.
Дата издания: 28.07.2015
Серия: Routledge research in intellectual property
Язык: English
Размер: 164 x 265 x 16
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Intellectual property law, LAW / Intellectual Property / Copyright,LITERARY CRITICISM / Semiotics & Theory
Подзаголовок: A conceptual history of originals and copies in literature, art and design
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Recent years have seen a number of pressing developments in copyright law: there has been an enormous increase in the range and type of work accorded protection; the concept of the ‘original work’ has entered into national copyright acts; and intangible entities are now entitled to protection by copyright. All these are consequences of legislative and technological developments that can be traced back over two centuries and more. the result. This book presents an interdisciplinary study of the growth of copyright law, largely based on archival research and on archival materials only recently made available online. The new history here articulated helps to explain why print is no longer today the sole or even the chief object of copyright protection. Taking its key examples from British, French and Danish copyright law, the book begins by exploring how the earliest copyright laws emerged out of the technological understanding of a printed ‘copy,’ and out of the philosophical notions of originals and copies, tangibles and intangibles. Dr Teilmann-Lockgoes on to examine the concept of the ‘work’ as it develops both conceptually and legally, as the object of protection, and then explains how, in a curious consequence, the work turns the ‘copy’ into the mere material instantiation of the intangible original. The book concludes by addressing the considerable and complicated problems now emerging in copyright law following the inclusion of design within the scope of its protection. In this field Danish law, striving to protect Danish design, has been setting the trend for over a hundred years. In its examination of terminological exchanges between the diverse legal traditions and philosophical discourse, and in its thorough investigation of particular terms central to copyright legislation, this interdisciplinary book will be of great interest to scholars and students of copyright and intellectual property law; it also makes an important contribution to literary studies, legal history and cultural theory.

The Object of Copyright: A Conceptual History of Originals and Copies in Literature, Art and Design, Teilmann-Lock Stina