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Local Glories: Opera Houses on Main Street, Where Art and Community Meet, Satterthwaite, Ann


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Автор: Satterthwaite, Ann
Название:  Local Glories: Opera Houses on Main Street, Where Art and Community Meet
Перевод названия: Сатертвейт Анн: Места Славы: оперные театры на главной улице, где встречаются искусство и сообщество
ISBN: 9780199392544
Издательство: Oxford Academ
Классификация:



ISBN-10: 0199392544
Обложка/Формат: Hardback
Страницы: 304
Вес: 1.13 кг.
Дата издания: 01.02.2016
Язык: English
Иллюстрации: 72 illustrations
Размер: 191 x 264 x 37
Читательская аудитория: General (us: trade)
Подзаголовок: Opera houses on main street, where art and community meet
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: To most people, the term opera house conjures up images of mink-coated dowagers accompanied by tuxedo-clad men in the gilded interiors of opulent buildings like the Met in New York or La Scala in Milan. However, the opera house in the United States has a far more varied-and far more
interesting-history than that stereotype implies. In Local Glories, Ann Satterthwaite explores the creative, social, and communal roles of the thousands of opera houses that flourished in small towns across the country.

By 1900, opera houses were everywhere: on second floors over hardware stores, in grand independent buildings, in the back rooms of New England town halls, and even in the bowels of a Mississippi department store. With travel made easier by the newly expanded rail lines, Sarah Bernhardt, Mark Twain,
and John Philip Sousa entertained thousands of townspeople, as did countless actors, theater and opera companies, innumerable minor league magicians, circuses, and lecturers, and even 500 troupes that performed nothing but Uncle Toms Cabin. Often the towns only large space for public assembly, the
local opera house served as a place for local activities such as school graduations, recitations, sports, town meetings, elections, political rallies, and even social dances and roller skating parties. Considered local landmarks, often in distinctive architect-designed buildings, they aroused
considerable pride and reinforced town identity. By considering states with distinctly different histories--principally Maine, Nebraska, Vermont, New York, and Colorado--Satterthwaite describes the diversity of opera houses, programs, audiences, buildings, promoters, and supporters--and their hopes,
dreams, and ambitions.

In the twentieth century, radio and movies, and later television and changing tastes made these opera houses seem obsolete. Some were demolished, while others languished for decades until stalwart revivers discovered them again in the 1970s. The resuscitation of these opera houses today, an example
of historic preservation and creative reuse, reflects the timeless quest for cultural inspiration and for local engagement to counter the anonymity of the larger world. These local glories are where art and community meet, forging connections and making communities today, just as they did in the
nineteenth century.



The Death and Life of Main Street: Small Towns in American Memory, Space, and Community

Автор: Orvell Miles
Название: The Death and Life of Main Street: Small Towns in American Memory, Space, and Community
ISBN: 1469617552 ISBN-13(EAN): 9781469617558
Издательство: Mare Nostrum (Eurospan)
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Цена: 4990.00 р.
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Описание: For more than a century, the term "Main Street" has conjured up nostalgic images of American small-town life. Representations exist all around us, from fiction and film to the architecture of shopping malls and Disneyland. All the while, the nation has become increasingly diverse, exposing tensions within this ideal. In The Death and Life of Main Street, Miles Orvell wrestles with the mythic allure of the small town in all its forms, illustrating how Americans continue to reinscribe these images on real places in order to forge consensus about inclusion and civic identity, especially in times of crisis.
Orvell underscores the fact that Main Street was never what it seemed; it has always been much more complex than it appears, as he shows in his discussions of figures like Sinclair Lewis, Willa Cather, Frank Capra, Thornton Wilder, Margaret Bourke-White, and Walker Evans. He argues that translating the overly tidy cultural metaphor into real spaces--as has been done in recent decades, especially in the new urbanist planned communities of Elizabeth Plater-Zyberk and Andres Duany--actually diminishes the communitarian ideals at the center of this nostalgic construct. Orvell investigates the way these tensions play out in a variety of cultural realms and explores the rise of literary and artistic traditions that deliberately challenge the tropes and assumptions of small-town ideology and life.


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