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Native Americans in the Movies: Portrayals from Silent Films to the Present, Hilger Michael


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Автор: Hilger Michael
Название:  Native Americans in the Movies: Portrayals from Silent Films to the Present
ISBN: 9781442240018
Издательство: Rowman & Littlefield Publishers
Классификация:

ISBN-10: 1442240016
Обложка/Формат: Hardback
Страницы: 464
Вес: 1.15 кг.
Дата издания: 16.10.2015
Язык: English
Размер: 189 x 263 x 33
Читательская аудитория: General (us: trade)
Подзаголовок: Portrayals from silent films to the present
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Поставляется из: Англии
Описание: Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations-to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations. In Native Americans in the Movies: Portrayals from Silent Films to the Present, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revision of the earlier volume. The introductory material has not only been revised with updated information and examples but also adds discussions of representative films produced since the mid-1990s. Now organized alphabetically, the entries on individual films cover all relevant works made over the past century, and each entry contains much more information than those in the earlier book. Details include -film summary -nation represented -image portrayal -production details -DVD availability Many of the entries also contain comments from film critics to indicate how the movies were regarded at the time of their theatrical release. Supplemented by appendixes of image portrayals, representations of nations, and a list of made-for-television movies, this volume offers readers a comprehensive and up-to-date overview of hundreds of films in which Native American characters have appeared on the big screen. As such, Native Americans in the Movies will appeal not only to scholars of media, ethnic studies, and history but also to anyone interested in the portrayal of Native Americans in cinema.


Gender and Genre: German Women Write the French Revolution

Автор: Hilger Stephanie M.
Название: Gender and Genre: German Women Write the French Revolution
ISBN: 1611495318 ISBN-13(EAN): 9781611495317
Издательство: Rowman & Littlefield Publishers
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Цена: 8870.00 р.
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Описание: Gender and Genre explores the ways in which German women writers used literature, in the sense of belles lettres, to comment on the French Revolution and its aftermath. By doing so, these authors adapted major literary genres and questioned these genres` representation of women in the eighteenth- and nineteenth-century literary sphere.

Aesthetic disinterestedness

Автор: Hilgers, Thomas
Название: Aesthetic disinterestedness
ISBN: 1138905003 ISBN-13(EAN): 9781138905009
Издательство: Taylor&Francis
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The notion of disinterestedness is often conceived of as antiquated or ideological. In spite of this, Hilgers argues that one cannot reject it if one wishes to understand the nature of art. He claims that an artwork typically asks a person to adopt a disinterested attitude towards what it shows, and that the effect of such an adoption is that it makes the person temporarily lose the sense of herself, while enabling her to gain a sense of the other. Due to an artwork's particular wealth, multiperspectivity, and dialecticity, the engagement with it cannot culminate in the construction of world-views, but must initiate a process of self-critical thinking, which is a precondition of real self-determination. Ultimately, then, the aesthetic experience of art consists of a dynamic process of losing the sense of oneself, while gaining a sense of the other, and of achieving selfhood. In his book, Hilgers spells out the nature of this process by means of rethinking Kant's and Schopenhauer's aesthetic theories in light of more recent developments in philosophy-specifically in hermeneutics, critical theory, and analytic philosophy-and within the arts themselves-specifically within film and performance art.


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