Archaeology of Medieval Spain, 1100-1500, Valor Magdalena
Автор: Sitarz, Magdalena Название: Literature as a medium for memory ISBN: 3631638922 ISBN-13(EAN): 9783631638927 Издательство: Peter Lang Рейтинг: Цена: 13286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book focuses on the presentation of basic figures of memory that are present in the twenty-six novels by the Yiddish writer Sholem Asch. This study shows how memory is crystallized in the Jewish experience of nature and in the reality shaped by people, as well as in the reception of the biblical and historical events to which the author refers.
Автор: Camou, Professor Maria Magdalena Maubrigades, Professor Silvana Thorp, Rosemary Название: Gender inequalities and development in latin america during the twentieth century ISBN: 1472436881 ISBN-13(EAN): 9781472436887 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using case-studies from Argentina, Chile, Colombia, Mexico and Uruguay, this book presents evidence of the evolution of the gender inequalities in Latin America during the twentieth century, using basic indicators of human development, namely education, health and the labour market.
Автор: Karolak, Magdalena Название: Past tense in polish and french ISBN: 3034309686 ISBN-13(EAN): 9783034309684 Издательство: Peter Lang Рейтинг: Цена: 11454.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book presents the first detailed analysis of the mechanism of translating the Polish past tense into French. Drawing on a selection of Polish literary texts and their translations into French, the author applies the semantic theory of aspect to establish rules for Polish-to-French translation.
Описание: The author follows the interpretative pursuits of nineteenth-century readers and analyses Tennyson’s The Princess through the prism of their critical ideas. She analyses Tennyson’s reconsideration of gender binaries and women’s rights as well as the poem’s reliance on the aesthetics of the grotesque and its metapoetic games. The book rests on the premise that literature cannot be studied in isolation from its immediate socio-historical context. As such, poetry becomes an outcome of social and cultural negotiations, moving «in a strange diagonal» between the author and his public.
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