Afterlives: Allegories of Film and Mortality in Early Weimar Germany 9781501317729

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Автор: Steve Choe
Название: Afterlives: Allegories of Film and Mortality in Early Weimar Germany
ISBN: 9781501317729
Издательство: Bloomsbury Academic
Классификация:

Кино, кинематография

ISBN-10: 1501317725
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.47 кг.
Дата издания: 28.01.2016
Серия: Thinking cinema
Язык: English
Иллюстрации: 40 bw illus
Размер: 229 x 152 x 15
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,European history,Phenomenology & Existentialism, HISTORY / Europe / Germany,PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / Movements / Phenomenology
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism,HISTORY / Europe / Germany,PHILOSOPHY / Movements / Phenomenology,European history,Phenomenology & Existentialism
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Поставляется из: Англии
Описание:

Weimar cultural critics and intellectuals have repeatedly linked the dynamic movement of the cinema to discourses of life and animation. Correspondingly, recent film historians and theorists have taken up these discourses to theorize the moving image, both in analog and digital. But, many important issues are overlooked. Combining close readings of individual films with detailed interpretations of philosophical texts, all produced in Weimar Germany immediately following the Great War, Afterlives: Allegories of Film and Mortality in Early Weimar Germany shows how these films teach viewers about living and dying within a modern, mass mediated context.

Choe places relatively underanalyzed films such as F. W. Murnaus The Haunted Castle and Arthur Robisons Warning Shadows alongside Martin Heideggers early seminars on phenomenology, Sigmund Freuds Reflections upon War and Death and Max Schelers critique of ressentiment. It is the experience of war trauma that underpins these correspondences, and Choe foregrounds life and death in the films by highlighting how they allegorize this opposition through the thematics of animation and stasis.

Дополнительное описание: Acknowledgements Introduction Chapter One: Two Postwar Masculinities Robert Reinert’s Nerves (1919) Chapter Two: Melancholy Specters F. W. Murnau’s The Haunted Castle (1921) and Phantom (1922) Chapter Three: The Temporality of De

Afterlives: Allegories of Film and Mortality in Early Weimar Germany, Steve Choe