Автор: Faust Joan Название: Andrew Marvell`s Liminal Lyrics: The Space Between ISBN: 1611495202 ISBN-13(EAN): 9781611495201 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The work is an interdisciplinary study of the major lyric poems of seventeenth-century British metaphysical poet Andrew Marvell. It invites Marvell readers to view the poet and some of his representative lyrics in the context of the anthropological concept of liminality and the in-between aspects of experience.
Автор: D. Hawkes Название: The Faust Myth ISBN: 1349536296 ISBN-13(EAN): 9781349536290 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book traces the evolution of the Faust myth from the Sixteenth century to modern times. The authors studied include Marlowe, Calderon, Milton, Goethe, Byron, Dostoevsky, Wilde, Thomas Mann, and Salman Rushdie.
Автор: Elizabeth M. Butler Название: The Fortunes of Faust ISBN: 0271030119 ISBN-13(EAN): 9780271030111 Издательство: NBN International Рейтинг: Цена: 6325.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This work is a powerful and astute examination of the connection between magic in literature and magic in history. It traces the evolution of the Faust tradition and its relationship to the practice of magic in European history. Written by one of the most distinguished scholars in the field of German literature, this book, first published in 1952, is a classic text. Butler follows the magic tradition of the magus--the priest-king--and its reformulation in the Christian world. In the process, the magus was transformed into a wicked sorcerer who comes to a bad end in this world and a worse one hereafter. This conception, which gained ground in the Middle Ages, received its most categorical statement in the Faust legend.
The celebrated pact between Faust and the devil was in fact an invention of Christian mythologists who had interpreted occult rituals in accordance with the Christian belief that magicians were the servants of Satan. Occultists replied by denying the pact with the devil and by associating Faust with ritual magic traditions. Butler draws on her detailed knowledge of literature, religion, and history to produce an authoritative synthesis that all those interested in the development of mythology will find indispensable.
Автор: Weinberg Kurt Название: On Gide`s Promethee: Private Myth and Public Mystification ISBN: 0691619778 ISBN-13(EAN): 9780691619774 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Through a careful rendering of the text, deciphering its hidden ironies, Mr. Weinberg sees Promethee as a modern allegory, a parable wrought of allusions, symbols, and images drawn from classical antiquity and calvinist theology, and a multi-leveled sotie a miroirs. Originally published in 1972. The Princeton Legacy Library uses the latest print-
Автор: Sandeep Parmar Название: Reading Mina Loy`s Autobiographies: Myth of the Modern Woman ISBN: 1472596501 ISBN-13(EAN): 9781472596505 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers.
Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a 'modern woman' through an analysis of her unpublished autobiographical prose. Reading Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the 'modern' and how they apply to the 'modernist' writer-based on her engagement with twentieth-century avant-garde aesthetics-and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a 'late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
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