Описание: Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century.More than most social movements, feminism was transmitted and understood through culture—art installations, Ms. Magazine, All in the Family, and thousands of other cultural artefacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s Gerhard analyses these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. She concludes with a chapter on the 1990s, when The Dinner Party emerged as a target in political struggles over public funding for the arts, even as academic feminists denounced the piece for its alleged essentialism.The path that The Dinner Party travelled—from inception (1973) to completion (1979) to tour (1979-1989) to the permanent collection of the Brooklyn Museum (2007)—sheds light on the history of American feminism since 1970 and on the ways popular feminism in particular can illuminate important trends and transformations in the broader culture.
Автор: Bordo Susan Название: Unbearable Weight: Feminism, Western Culture, and the Body ISBN: 0520240545 ISBN-13(EAN): 9780520240544 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Analyzes issues connected to the body - weight and weight loss, exercise, media images, movies, advertising, anorexia and bulimia, and much more.
Описание: By the mid-1990s feminist theorists and critics began to challenge conventional thinking about sex difference and its relationship to gender and sexuality. Scholars such as Anne Fausto-Sterling and Judith Butler troubled the sex-gender/nature-nurture divide. Some have asserted that these questions about sex are much too abstract to contribute to a valuable understanding of the material politics faced by feminist movements. In A Question of Sex, Kristan Poirot challenges this assumption and demonstrates that contemporary theories about sex, gender, identity, and difference compel a rethinking of the history of feminist movements and their rhetorical practices. Poirot focuses on five case studies--the circulation of Sojourner Truth's Ain't I a Woman? in early and contemporary feminist contexts; the visual rhetorics of the feminist self-help health movement; the public discourse of Elizabeth Cady Stanton and early nineteenth-century ideas about suffrage, sex, and race; the conflicts over lesbian sexuality in the 1960s and 1970s; and the discourse that surrounds twenty-first-century SlutWalks. In the process, Poirot rethinks the terms through which we understand U.S. feminist movements to explore the ways feminism has questioned sexed distinctions and practices over time. She emphasizes the importance of reading feminist engagements with sex as rhetorical endeavors--practices that are shaped by the instrumental demands of movements, the exigent situations that call for feminists to respond, and the enduring philosophical traditions that circulate in U.S. political contexts., reviewing a previous edition or volume
Описание: Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century.More than most social movements, feminism was transmitted and understood through culture—art installations, Ms. Magazine, All in the Family, and thousands of other cultural artefacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s Gerhard analyses these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. She concludes with a chapter on the 1990s, when The Dinner Party emerged as a target in political struggles over public funding for the arts, even as academic feminists denounced the piece for its alleged essentialism.The path that The Dinner Party travelled—from inception (1973) to completion (1979) to tour (1979-1989) to the permanent collection of the Brooklyn Museum (2007)—sheds light on the history of American feminism since 1970 and on the ways popular feminism in particular can illuminate important trends and transformations in the broader culture.
Автор: Hamilton, Susan Название: Frances power cobbe and victorian feminism ISBN: 1403999953 ISBN-13(EAN): 9781403999955 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This new book asks a key question- what did it mean to have a Victorian feminist write for an established newspaper or periodical? Using the example of Frances Power Cobbe, it focuses on Victorian feminism and its political workings, and urges us to reconsider what feminism looked like in the nineteenth-century.
Автор: Glenda Tibe Bonifacio Название: Feminism and Migration ISBN: 9400795351 ISBN-13(EAN): 9789400795358 Издательство: Springer Рейтинг: Цена: 21661.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Feminism and Migration: Cross-Cultural Engagements is a rich, original, and diverse collection on the intersections of feminism and migration in western and non-western contexts.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
