Club Cultures and Female Subjectivity, Pini

Автор: Kolozova Katerina
Название: Cut of the Real: Subjectivity in Poststructuralist Philosophy
ISBN: 0231166109 ISBN-13(EAN): 9780231166102
Издательство: Wiley
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Цена: 7920.00 р.
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Описание: A leading scholar of gender studies and speculative realism carves a universal conception of identity and the subject. Katerina Kolozova reclaims the relevance of categories traditionally rendered "unthinkable" by postmodern feminist philosophies, critically repositioning poststructuralist feminist philosophy and gender/queer studies.

Автор: Short
Название: Cyborg Cinema and Contemporary Subjectivity
ISBN: 1403921784 ISBN-13(EAN): 9781403921789
Издательство: Springer
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Цена: 18167.00 р.
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Описание: This book breaks new ground in providing an in-depth critical assessment of cyborg cinema, arguing that it remains one of the most intriguing and provocative cycles to have emerged in contemporary screen culture.

Автор: Parish
Название: Subjectivity and Suffering in American Culture
ISBN: 0230605389 ISBN-13(EAN): 9780230605381
Издательство: Springer
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Цена: 9781.00 р.
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Описание: The volume takes readers deep into private worlds of suffering in American culture, and invites reflection on what the subjectivity of suffering tells us about being human.

Автор: McQueen
Название: Subjectivity, Gender and the Struggle for Recognition
ISBN: 1137425989 ISBN-13(EAN): 9781137425980
Издательство: Springer
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Цена: 11179.00 р.
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Описание: In this book Paddy McQueen examines the role that `recognition` plays in our struggles to construct an identity and to make sense of ourselves as gendered beings. It analyses how such struggles for gender recognition are shaped by social discourses and power relations, and considers how feminism can best respond to these issues.

Автор: Briginshaw
Название: Dance, Space and Subjectivity
ISBN: 0333919734 ISBN-13(EAN): 9780333919736
Издательство: Springer
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Цена: 18284.00 р.
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Описание: By focusing on site-specific dance, the mutual construction of bodies and spaces, body-space interfaces and `in-between spaces`, the dances and dance films are read `against the grain` to reveal their potential for troubling conventional notions of subjectivity associated with a white, Western, heterosexual able-bodied, male norm.