Описание: Offering a one-of-a-kind approach to music and literature of the Americas, this book examines the relationships between musical protagonists from Colombia, Cuba, and the United States in novels by writers such as Gabriel Garcia Marquez, Alejo Carpentier, Zora Neale Hurston, and John Okada.
Описание: Nico Israel argues that spirals illuminate the torsions of history and geopolitics within modernity. Taking the form of the spiral not only as his topic but as inspiration for his method, Israel challenges familiar, discipline-based approaches to modernism and its aftermaths and gives twenty-first-century theory an important new spin.
Автор: Kelly Aaron Название: Twentieth-century Irish Literature ISBN: 0230517188 ISBN-13(EAN): 9780230517189 Издательство: Springer Рейтинг: Цена: 8986 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A guide which surveys criticism and theory, covering the critical debates, themes and issues surrounding a variety of Irish poets, playwrights and novelists. It relates Irish literature to debates surrounding issues such as national identity, modernity and the Revival period, armed struggle, gender, sexuality and post colonialism.
Автор: Banco, Lindsey Michael Название: Travel and drugs in twentieth-century literature ISBN: 0415998611 ISBN-13(EAN): 9780415998611 Издательство: Taylor&Francis Рейтинг: Цена: 16333 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines the connections between two disparate yet persistently bound thematics - mobility and intoxication. This book explores their central yet frequently misunderstood role in constructing subjectivity following the 1960s.
Автор: Kelly, Aaron Название: Twentieth-century irish literature ISBN: 0230517196 ISBN-13(EAN): 9780230517196 Издательство: Springer Рейтинг: Цена: 3029 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Surveys existing criticism and theory, making clear the key critical debates, themes and issues surrounding a wide variety of Irish poets, playwrights and novelists. This book relates Irish literature to debates surrounding issues such as national identity, modernity and the Revival period, armed struggle, gender, sexuality and post colonialism.
Описание: To the world they are known as Berbers, but they prefer to call themselves Imazighen, or “free people.” The claim to this unique cultural identity has been felt most acutely in Algeria in the Kabylia region, where an Amazigh consciousness gradually emerged after WWII. This is a valuable model for other Amazigh movements in North Africa, where the existence of an Amazigh language and culture is denied or dismissed in countries such as Morocco, Algeria, Tunisia, and Libya.By tracing the cultural production of the Kabyle people—their songs, oral traditions, and literature—from the early 1930s to the end of the twentieth century, Fazia Aïtel shows how they have defined their own culture over time, both within Algeria and in its diaspora. She analyzes the role of Amazigh identity in the works of novelists such as Mouloud Feraoun, Tahar Djaout, and Assia Djebar, and she investigates the intersection of Amazigh consciousness and the Beur movement in France. She also addresses the political and social role of the Kabyles in Algeria and in France, where after independence it was easier for the Berber community to express and organize itself.Ultimately, Aïtel argues that the Amazigh literary tradition is founded on dual priorities: the desire to foster a genuine dialogue while retaining a unique culture.
Описание: Featuring canonical Spanish American and Brazilian texts of the 1920s and 30s, Corporeality in Early Twentieth-Century Latin American Literature is an innovative analysis of the body as site of inscription for avant-garde objectives such as originality, subjectivity, and subversion.
Описание: Through examining some of the everyday items that helped establish a person’s masculinity or femininity, this book offers a new analysis of gender identity in early modern English literature and culture. Individual chapters focus on items such as codpieces, handkerchiefs, beards, and hair. Fisher argues that these seemingly peripheral parts were in fact constitutive, and consequently, that early modern gender was materialized through a relatively wide range of parts or features, and that it was also often conceptualized as being malleable. The book deliberately brings together sexual characteristics (beard growth and hair length) and gendered accessories (codpieces and handkerchiefs) in order to explore the limitations of using the modern conceptual distinction between sex and gender to understand early modern ideas about masculinity and femininity. Materializing Gender engages with a range of historical materials including drama, poetry, portraiture, medical texts, and polemical tracts, and a range of theoretical issues.
Описание: Bodily Desire, Desired Bodies examines the diverse ways that literary works and paintings can be read as screens onto which new images of masculinity and femininity are cast. Esther Bauer focuses on German and Austrian writers and artists from the 1910s and 1920s specifically authors Franz Kafka, Vicki Baum, and Thomas Mann, and painters Otto Dix, Christian Schad, and Egon Schiele who gave spectacular expression to shifting trends in male and female social roles and the organisation of physical desire and the sexual body. Bauer’s comparative approach reveals the ways in which artists and writers echoed one another in undermining the gender duality and highlighting sexuality and the body. As she points out, as sites of negotiation and innovation, these works reconfigured bodies of desire against prevailing notions of sexual difference and physical attraction and thus became instruments of social transformation.
Описание: Gender and Pentecostal Revivalism provides an interdisciplinary, theoretically engaged answer to an enduring question for charismatic Christianities: how do women lead churches? By examining the ministries of two famous (and infamous) Pentecostal revivali
The fifteen essays in this volume explore the extraordinary range and diversity of the autobiographical mode in twentieth-century Russian literature from various critical perspectives. They will whet the appetite of readers interested in penetrating beyond the canonical texts of Russian literature. The introduction focuses on the central issues and key problems of current autobiographical theory and practice in both the West and in the Soviet Union, while each essay treats an aspect of auto-biographical praxis in the context of an individual author's work and often in dialogue with another of the included writers. Examined here are first the experimental writings of the early years of the twentieth century--Rozanov, Remizov, and Bely; second, the unique autobiographical statements of the mid-1920s through the early 1940s--Mandelstam, Pasternak, Olesha, and Zoshchenko; and finally, the diverse and vital contemporary writings of the 1960s through the 1980s as exemplified not only by creative writers but also by scholars, by Soviet citizens as well as by emigrs--Trifonov, Nadezhda Mandelstam, Lydia Ginzburg, Nabokov, Jakobson, Sinyavsky, and Limonov.
Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Описание: The main purpose of the book is to expand the scope of revisionary studies of the thirties by analyzing novels using recent innovations in critical theory. The book adds to the research of Barbara Foley, Michael Denning, Alan Wald, and others who have challenged Cold-War-era accounts of the decade's socialist and communist culture. The book explores leftist literature from the thirties as balanced between two antithetical philosophical modalities: identity and ideology. Writers create identitarian fiction, he argues, as they attempt to appeal to a mainstream audience using familiar types and patterns culled from mass culture. They engage ideology, on the other hand, when they use narrative as a means of critiquing those same types and patterns using strategies of ideological critique similar to those of their European contemporary Georg Luk cs.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
