Obsessive-Compulsive Personality Disorder: Understanding the Overly Rigid, Controlling Person, Kantor Martin, Kanto Martin

Автор: MacKinlay Kantor; With an Introduction by Harry Tu
Название: If The South Had Won The Civil War
ISBN: 0312869495 ISBN-13(EAN): 9780312869496
Издательство: Holtzbrink(MPS)/MPS
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Описание:

The Past is a strange place indeed . . . everything could have been so different so easily.
Just a touch here and a tweak there . . . .

MacKinlay Kantor, Pulitzer Price-winning author and master storyteller, shows us how the South could have won the Civil War: how two small shifts in history (as we know it) in the summer of 1863 could have turned the tide for the Confederacy. What would have happened to the Union, to Abraham Lincoln, to the people of the North and South, to the world?

If the South Had Won the Civil War originally appeared in Look magazine nearly half a century ago. It immediately inspired a deluge of letters and telegrams from astonished readers, and became an American Classic overnight. Published in book form soon after, Kantor's masterpiece has been unavailable for a decade. Now, this much requested classic is once again available for a new generation of readers, and features a stunning cover by acclaimed Civil War artist Don Troiani, a new introduction by award-winning alternate history author Harry Turtledove, and fifteen superb illustrations by the incomparable Dan Nance.

It all begins on that fateful afternoon of Tuesday, May 12, 1863, when a deplorable equestrian accident claims the life of General Ulysses S. Grant . . . .

Название: Tadeusz kantor today
ISBN: 3631633602 ISBN-13(EAN): 9783631633601
Издательство: Peter Lang
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Описание: This book is a compendium of texts by international authors which reflect on Tadeusz Kantor’s art in a broad range of contexts. The studies include works of prominent art historians, theatrologists and artists. The present revisiting of Kantor’s artistic ?uvre reflects a contemporary historiographic approach. The authors place value on individual memory and consider contemporary art outside the traditional boundaries of particular artistic genres. The studies employ the latest strategies for researching theatrical performance as autonomous statements, without a literary anchor. Thanks to this approach, the eschatological and historical issues, crucial to the sphere of reference of Kantor’s Theatre of Death, have acquired a new presence – as art that liberates thinking in the here-and-now.