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Women`s Experimental Writing: Negative Aesthetics and Feminist Critique, Ellen E. Berry


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Автор: Ellen E. Berry
Название:  Women`s Experimental Writing: Negative Aesthetics and Feminist Critique
ISBN: 9781474226400
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 147422640X
Обложка/Формат: Hardback
Страницы: 184
Вес: 0.47 кг.
Дата издания: 19.05.2016
Серия: Literature/Literary Studies
Язык: English
Размер: 234 x 156 x 13
Читательская аудитория: College/higher education
Ключевые слова: Literary theory,Literary studies: from c 1900 -,Philosophy: aesthetics,Feminism & feminist theory, LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / Feminist,LITERARY CRITICISM / Women Authors
Основная тема: Literary studies: from c 1900 -,LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / Women Authors,LITERARY CRITICISM / Feminist,Literary theory,Feminism & feminist theory,Philosophy: aesthetics
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Поставляется из: Англии
Описание: Womens Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry. These writers all share a commitment to combining extreme content with formally radical techniques in order to enact varieties of gender, sex, race, class and nation-based experience that, they suggest, may only be “represented” accurately through the experimental unmaking of dominant structures of rationality. Ellen Berry extends the anti-social negative critique predominant in queer studies by offering an alternative archive of feminist negative literary practices and explores the consequences of joining an anti-social critique with radical innovations in literary and cultural forms. She argues that the radical aesthetic practices the authors employ are central to the emergence of contemporary Western feminisms and in doing so rectifies a critical neglect of contemporary experimental writing by women, especially in politicized forms, within the still-emerging postmodern canon.
Дополнительное описание: Introduction Chapter One: Homicidal Feminism: Negative Aesthetics in Valerie Solanas’s Scum Manifesto Chapter Two: Kathy Acker’s Fatal Strategies Chapter Three: ’The Remnant Is the Whole’: History, Trauma, and the Politics of Abs



Women`s Writing

Автор: Caroline Zilboorg
Название: Women`s Writing
ISBN: 0521891264 ISBN-13(EAN): 9780521891264
Издательство: Cambridge Education
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Цена: 1949.00 р.
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Описание: Focusing on texts written in English and emphasising writing by women from the beginning of the Renaissance period in the 1300s to the 21st century, this book illustrates not only the richness and diversity of female literary voices, but also the many changing and different contexts in which writing by women can be read.

German Women`s Writing in the Twenty-First Century

Автор: Baer Hester
Название: German Women`s Writing in the Twenty-First Century
ISBN: 1640140255 ISBN-13(EAN): 9781640140257
Издательство: Boydell & Brewer
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Цена: 3958.00 р.
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Описание: Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women`s literature has been conceived.

Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure

Автор: Eldritch Priest
Название: Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure
ISBN: 1441124756 ISBN-13(EAN): 9781441124753
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious concept. The book frames recent experimental composition as a deviant kind of sound art whose affective and formal elements reflect on current issues in contemporary culture, and offers analyses of musical works and performance practices that are rarely heard, let alone considered as significant cultural phenomena - showing the role that obscurity and the esoteric have in articulating current cultural realities. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.

German Women`s Life Writing and the Holocaust

Автор: Krimmer Elisabeth
Название: German Women`s Life Writing and the Holocaust
ISBN: 1108472826 ISBN-13(EAN): 9781108472821
Издательство: Cambridge Academ
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Цена: 14256.00 р.
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Описание: This book examines women`s life writing from the Second World War and the Holocaust. Chapters on army auxiliaries, nurses, refugees, rape victims, and Holocaust survivors allow insights into the nature of complicity itself, the emergence of violence in civil society, and the possibility of social justice.

Envisioning Black Feminist Voodoo Aesthetics

Автор: Martin Kameelah L
Название: Envisioning Black Feminist Voodoo Aesthetics
ISBN: 1498523285 ISBN-13(EAN): 9781498523288
Издательство: Неизвестно
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Цена: 29657.00 р.
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Описание: By integrating eight contemporary American films to determine the role the use of Voodoo in popular representations in the construction of black female imaginaries, this book evaluates the employment of Voodoo aesthetics to reenact black women`s spirituality on screen by engaging with themes such as sexuality, agency, and cultural appropriation.

Gadamer`s Poetics: A Critique of Modern Aesthetics

Автор: John Arthos
Название: Gadamer`s Poetics: A Critique of Modern Aesthetics
ISBN: 1472591577 ISBN-13(EAN): 9781472591579
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание:

Gadamer's writing on art is typically seen as supporting his philosophical theory of truth. Drawing together a coherent theory of the work of art from the corpus of Gadamer's writings, this is the first full-length examination of Gadamer's theory of the work of art in its own right.

Close readings of Gadamer's treatment of aesthetics in Truth and Method, as well as his many essays and lectures on art, highlight an approach to art that is not ancillary to historical, philosophical, and linguistic themes. The book establishes Gadamer's position on the criteria for the judgment of art, and the balance between production and reception from a hermeneutic perspective. Offering useful insights to some of the most tantalizing and obscure Gadamerian themes, this not only makes a significant addition to Gadamer scholarship, but provides aesthetics scholars, critics, and interpreters with new ways of thinking about art.


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