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Deeper than Oblivion: Trauma and Memory in Israeli Cinema, Raz Yosef, Boaz Hagin


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Автор: Raz Yosef, Boaz Hagin
Название:  Deeper than Oblivion: Trauma and Memory in Israeli Cinema
ISBN: 9781501319617
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1501319612
Обложка/Формат: Paperback
Страницы: 384
Вес: 0.52 кг.
Дата издания: 19.05.2016
Серия: Arts
Язык: English
Иллюстрации: 20 bw illus
Размер: 229 x 152 x 20
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,Jewish studies, PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Jewish Studies
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Jewish Studies,Jewish studies
Подзаголовок: Trauma and memory in israeli cinema
Рейтинг:
Поставляется из: Англии
Описание:

In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.

Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today.


Дополнительное описание: Acknowledgments Chapter 1: Sweet on the Inside: Trauma, Memory, and Israeli Cinema Boaz Hagin and Raz Yosef Chapter 2: Postscript to Israeli Cinema: East/West and the Politics of Representation Ella Shohat Chapter 3: Gender, the Military,



Deeper than Oblivion: Trauma and Memory in Israeli Cinema

Автор: Raz Yosef, Boaz Hagin
Название: Deeper than Oblivion: Trauma and Memory in Israeli Cinema
ISBN: 1441162194 ISBN-13(EAN): 9781441162199
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 22176.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.

Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today.

Palestinian Cinema: Landscape, Trauma, and Memory

Автор: Gertz Nurith, Khleifi George
Название: Palestinian Cinema: Landscape, Trauma, and Memory
ISBN: 0253220076 ISBN-13(EAN): 9780253220073
Издательство: Wiley EDC
Цена: 3773.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Although in recent years the entire world has been increasingly concerned with the Israeli-Palestinian conflict, there are few truly reliable sources of information about Palestinian society and culture. One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar, in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They reveal that the more that social, political, and economic conditions have worsened and chaos and pain prevail, the more Palestinian cinema has engaged with the national struggle.


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